Roger Ebert

William Fichtner Transforms AMC’s “Talamasca” Into Something Worthwhile 
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AMC has slowly become a dominating force in genre television. From “Dark Winds” to “Interview with the Vampire,” they’ve crafted two series that have already become decade, if not century-defining television. There have been some duds along the way, but...
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I Wanted Them to Be Weird: Director John McPhail on Mixing Genres and Encouraging Actors in “Grow”
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An interview with the director behind the new family film.
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In the Third Season of “The Diplomat,” It’s All Upsides and Distances, Darling
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It’s easy to see why “The Diplomat” is Emmy-nominated; this show deserves the praise.
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“Devil in Disguise: John Wayne Gacy” is a Tough but Important Watch
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A haunting series that emphasizes the humanity of the victims and the loss they experienced to their loved ones and the world.
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Nothing Closes the Doors to Creating: Jafar Pahani on “It Was Just an Accident”
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An interview with the acclaimed Iranian director about his latest work of cinematic resistance.
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“Battlefield 6” Seeks to Reclaim the Front Line of Multiplayer Shooters
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A review of the triumphant return of Battlefield.
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Chaz Ebert Launches National Awards to Honor Acts of Forgiveness, Empathy, Compassion, and Kindness as Siskel & Ebert Approaches 50th Anniversary
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The FECK Awards spotlight the power of everyday heroes and bold visionaries who elevate humanity through action, proving that compassion and kindness aren’t just ideals, but powerful forces reshaping lives and communities Chicago (October 15, 2025) – Chaz Ebert—CEO of...
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NYFF 25: The Currents, Gavagai, Is This Thing On? 
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On three films from NYFF, including the latest from Bradley Cooper.
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It’s A Process: Kelly Reichardt on “The Mastermind” and Josh O’Connor’s Timeless Mug
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A conversation with the writer/director of The Mastermind.
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CBS Wants Your Sitcom Time to Be Spent at the “DMV”
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“DMV” is already at that phase where it just needs to refine what it does well to become a weekly watch for the millions of people who still watch CBS.
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