Roger Ebert

SXSW 2026: The Sun Never Sets, A Safe Distance, Seahorse
||
On three premieres from SXSW, including the latest from Joe Swanberg.
continue reading
SXSW 2026: Beyond the Duplex Planet, Cornbread Mafia, My Brother’s Killer
||
On three quirky documentaries from this year's SXSW.
continue reading
In Taylor Sheridan’s “The Madison,” Michelle Pfeiffer and Kurt Russell Weather an Urban-Rural Romance
||
It’s rock-solid, gripping television with multi-generational appeal.
continue reading
We Broke the Loop: Ian Tuason and Nina Kiri on “undertone”
||
The director and star of A24's atmospheric horror film talk fear, faith, and turning the filmmaker's family home into a haunted house.
continue reading
12 Films We Can’t Wait to See at the SXSW Film Festival
||
A preview of the SXSW Film Festival, which starts today!
continue reading
If We Picked the Winners: The 98th Academy Awards
||
Our picks for what will win, should win, and should have nominated for this year's Academy Awards.
continue reading
Highlights of the 2026 True/False Film Festival Include “Tropical Park,” “Buck Harbor,” “Landscapes of Memory”
||
On three films that stirred us at Columbia, Missouri's annual film festival.
continue reading
Hulu’s “Sunny Nights” Offers Split Sides, Spray Tans, and Botched Schemes
||
I’d be willing to make the time investment, but the payoffs should start coming early and often.
continue reading
Even Nicole Kidman Can’t Save Prime’s Mind-Numbing “Scarpetta”
||
Plays it too safe, sheltering its protagonist and stifling any sense of intrigue she could offer.
continue reading
Why Ryan Coogler Should Win Best Director for “Sinners”
||
Ryan Coogler should win the Oscar on Sunday. Here's why.
continue reading