Roger Ebert

Hulu’s “Chad Powers” Wastes Talents of Glen Powell
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Combine the sports movie with the prosthetics-based slapstick comedy, and you get Chad Powers, unfortunately
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NYFF 2025: The 63rd New York Film Festival Centers Film and Poetry
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A preview of this year's event with critical thoughts on Late Fame, Peter Hujar's Day, and The Mastermind.
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“Borderlands 4” Invites Gamers to Spend Months in Its Chaotic World
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The first thing one realizes about “Borderlands 4,” the first true entry in this beloved series since 2019’s “Borderlands 3,” is that this game is massive. You should know that I’ve spend dozens of hours in this world and barely...
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Fantastic Fest 2025: Camp, Bad Haircut, Theater is Dead
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A final dispatch from Fantastic Fest on three very different films from three promising directors.
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A Tale of Two Machines: On the First Season of “Alien Earth”
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A conversation with Alien: Earth stars Babou Cesay and Sydney Chandler aabout the first season of the hit FX show.
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Fantastic Fest 2025: Mārama, Mother of Flies, Bulk
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On three imports to Fantastic Fest, including two of the best of this year's line-up.
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Hotel Costiera Serves Up a Cozy, Slightly Watered Down Heist Cocktail (Only Slightly Watered Down)
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“Hotel Costiera” goes down easy, but it doesn’t capitalize on the buzzy possibilities of the sub-genre.
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Marvel Animation’s “Marvel Zombies” Doesn’t Have Enough Flesh On Its Shambling Bones
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An underdeveloped and underwhelming horror venture for Earth's Mightiest Heroes.
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“Slow Horses” Continues to Entertain, Even in a Lesser Season
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This is the weakest “Slow Horses” season to date, and yet it's still pretty darn entertaining.
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An Ear for Writing For Women: Stan Zimmerman on Golden Girls, Rosanne, Gilmore Girls
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An interview with the author of a new book on his work writing for some of the 20th century's most beloved sitcoms.
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