Roger Ebert

Monstrous Women: From Medusa to the Bride and Rumi Too
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A new examination of the "montrous-feminine."
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Women Writers Week 2026: Table of Contents
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FILM REVIEWS Hoppers review: Pixar’s latest doubles down on “friends not food” by Nell Minow Andre Is An Idiot review: Irreverent biodoc urges you to get your colon checked by Marya E. Gates The Bride! review: Maggie Gyllenhaal pieces together...
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HBO’s “Rooster” is Almost an Endearing Comedy
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Despite strong performances, Bill Lawrence’s latest is too detached from reality for its own good.
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To the Film Industry in Crisis, A Look Back At Hollywood In 1926
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What were people watching a century ago, and what does that say about where the industry goes now?
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Whatever You Think of “Wuthering Heights,” We Need More Filmmakers Like Emerald Fennell
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A look at the career of Emerald Fennell, and the responses to her three films to date.
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A New Cup of Tea: The Best Murder Mysteries You Haven’t Seen
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Want a new murder mystery? We have some suggestions.
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All the Days of My Life: On Elaine May’s “A New Leaf”
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A reappreciation of a film once lost to history (but always loved by Roger), Elaine May's A New Leaf.
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Apple TV’s Tedious “The Hunt” Should Have Stayed on the Shelf
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“The Hunt” is, to put it generously, not very good.
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Female Filmmakers in Focus: Grace Glowicki on “Dead Lover”
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An interview with the writer-director-star of this month's "Dead Lover."
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