Roger Ebert

Movies for the Freaks: Mark Anthony Green on “Opus”
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An interview with the director of A24's new thriller about his time at GQ and balancing genre thrills with heady themes.
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SXSW Film Festival 2025: The Baltimorons, For Worse, Magic Hour
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On three films from SXSW about the unpredictability of life, including the best of this year's festival.
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SXSW Film Festival 2025: One More Shot, Mermaid, Sweetness
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On three very different films from this year's SXSW.
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SXSW Film Festival 2025: The Rivals of Amziah King, Hallow Road, The Dutchman
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Three big swings from SXSW this year, including two standouts.
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Prime Video’s “The Wheel of Time” Finally Comes Into Its Own With Season Three 
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It finally feels like “The Wheel of Time” can become the show it was always meant to be.
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Short Films in Focus: David and Sam Cutler-Kreutz on “A Lien”
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A chat with the filmmakers behind the Oscar-nominated live-action short.
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The Unloved, Part 134: A Dandy in Aspic
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Celebrating Anthony Mann's final film, a spy caper reflecting its own creator's demise.
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“Split Fiction” Has Compelling Gameplay Held Back By Pacing Issues
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A video game review of the new co-op game from Hazelight and EA.
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SXSW Film Festival 2025: Ghost Boy, The Secret of Me, Take No Prisoners
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On three strong docs from SXSW this year.
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Red Meat: Steak ‘n Shake Goes Nazi
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Et tu, Steak 'n Shake?
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