Roger Ebert

The Heart at the Center Of It: Domhnall Gleeson on “The Incomer”
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The actor talks about his latest role, about a bureaucrat sent to evict two siblings from an isolated island.
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Fantastic Fest 2026: In a Violent Nature Part 2, The Glorious Dead, Godmother
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Three new horror films from Fantastic Fest, including a sequel to an indie hit from 2024 and the latest from the Adams family.
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NBC’s “Line of Fire” Puts a Family of Law Enforcement in Each Other’s Crosshairs
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Paired with incisive, witty insights into family dynamics, the mysteries are sharp as blades and prickly as barbed wire.
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TIFF 2026: Arrested Memory, Ladies and Gentlemen, Brian Mulroney, Vintage Violence
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Silly revenge thrillers, archival pastiche, and fast-fashion fanatics stud the festival's Midnight section.
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TIFF 2026: The Spiral, Half, Anchors Aweigh
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A dispatch on three Midnight Madness releases from Toronto.
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TIFF 2026: Primetime Program Spotlights Upcoming TV Hits
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As one of the first festivals to have a slate dedicated solely to television, the 11th year of the Toronto International Film Festival’s Primetime slate is the most expansive it’s ever been. The program is billed as one that spotlights...
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‘Youth” is a Portrait of Midlife That’s Anything But Mid
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Sharon Horgan delivers another terrific, sharp comedy about women, relationships and the perils of aging.
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TIFF 2026: Furies, Re/Pair
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Two movies with little in common other than they played TIFF. And you should see 'em.
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TIFF 2026: The Debut, Elsinore, Closing Night
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On three movies about the theatre, films that showcase incredible work from Julianne Moore, Andrew Scott, and Sarah Paulson.
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