Roger Ebert

Even when the plot falters, “Robin Hood” is a rare series that emulates its time period with ease with its visual and musical feats. 

An interview with the breakout performer from Spike Lee's latest joint.

A report on the Criterion Mobile Closet's visit to Chicago.

It's a show for the self-obsessed, the image-centric, and the painfully irresponsible. In that respect, it might capture its setting and cohort perfectly.

Season 4 continues the sprawl that has made "The Witcher" feel less like a gritty fantasy slash-em-up and more like homework.

The latest on Blu-ray and streaming includes some of the biggest films of 2025, along with Criterion editions of A History of Violence, Altered States, and Nightmare Alley.

This is powerfully entertaining stuff, filled with satisfying twists and turns.

Who needs Jason, Freddy, and Michael when you have Ed Gein, Alex Murdaugh, and John Wayne Gacy?

A review of the newest game in the Silent Hill franchise from a long-time fan.

On four Chicago productions from this year's fest.