Roger Ebert

“Resident Evil: Requiem” is a Perfect Hybrid of Past Successes
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Consistently satisfying, riveting, and sometimes even terrifying.
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“Resident Evil: Requiem” is a Perfect Evolution of Past Successes
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Consistently satisfying, riveting, and sometimes even terrifying.
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Life Within the Lens Celebrates Black Filmmaking
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On a program this week at the Music Box in Chicago that spotlighted filmmaking for Black History Month.
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“Monarch: Legacy of Monsters” Maintains Momentum in Confident Second Season
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Season 2 of Apple TV's hit delivers on the promise of its freshman outing.
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“God of War: Sons of Sparta” is a Clunky Footnote in Legacy of Incredible Franchise
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It’s a game with moments that never becomes a sum as interesting as its parts.
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Laughs Come Consistently in NBC’s Clever “The Fall and Rise of Reggie Dinkins”
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Robert Carlock, the showrunner for “30 Rock” and creator of “Unbreakable Kimmy Schmidt,” is back on network TV with a show that could be called “Remember How Funny Tracy Morgan Can Be?” A show built around Morgan’s goofy, likable personality,...
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CBS’s “CIA” Refuses to Read the Room
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An important part of quality is understanding the audience, moment, and subject matter. “CIA” does none of that.
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Chaz Ebert Remembers Reverend Jesse Jackson: Oct 8, 1941 – February 17, 2026
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A tribute to one of the most important figures of the last century.
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Hulu’s “Paradise” Splits Its Focus And Gets More Frustratingly Unhinged In Season 2
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There are a few pulpy delights here and there, but this particular apocalypse moves a bit too slowly.
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Season 2 of “The Last Thing He Told Me” Is the Last Thing You’ll Want to Watch
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“The Last Thing He Told Me” only works if you can suspend disbelief and just go with the fact that these are both the smartest/most-talented people you’ve ever met and the stupidest.
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