Roger Ebert

One Final Look: Terence Stamp (1938-2025)
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An ode to a legend.
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Locarno Film Festival 2025: Prejudice Across the Pond in “Pool of London” and “The Story of a Three-Day Pass”
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On how two films capture racism abroad, including one that just played as a part of a Locarno retrospective.
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Locarno Film Festival 2025: “Tabi to Hibi,” Hair, Paper, Water…,” “Yakushima’s Illusion”
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Memory is a funny thing. It can form and unwind us, ground and unmoor us. It can also trick us, probably because it’s so aligned with the fluidity of time. In this latest Locarno dispatch are three films that consider...
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Effective Second Season of “Peacemaker” Proves the Future of the DCU’s TV Slate is Bright
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Gunn has doubled down on the small moments that made this series stand out, crafting a second season that almost feels like an entirely different show. 
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“Mafia: The Old Country” is One of 2025’s Most Cinematic Games
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The lean nature of the storytelling here is refreshing in a time when most games are undeniably flabby.
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Hawaiian Shirts Are Great to Fight In: Bob Odenkirk on “Nobody 2”
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An interview with the star of the balls-to-the-wall action sequel.
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Locarno Film Festival 2025: Blue Heron, Dracula, Legend Of The Happy Worker
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On a trio of daring new films that premiered at Locarno, including the latest from Radu Jude.
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USA’s “The Rainmaker” is a Traditional TV Legal Drama
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“The Rainmaker” is stimulating enough without asking any broader questions.
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Prime Video’s “Butterfly” Sometimes Flutters, Sometimes Sputters
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“Butterfly” looks good and never stops moving, but it doesn’t make my heart flutter.
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