Roger Ebert

Writer-director Nicole Riegel’s “Dandelion” takes place over a mere number of days, but emotionally, inserts us so deeply into its lead’s mind that it feels like we’ve traversed an entire consciousness. Dandelion (Kiki Layne) is unfulfilled. She’s an aspiring musician...

In 2020, photographer Luke Gilford published National Anthem, a monograph documenting the queer community in the International Gay Rodeo Association. The photographs are arresting and beautiful. Gilford grew up in the Southwest and loved rodeos as a kid. But the culture...

Among other things, Brian Eno is a pioneer in what’s called “generative art.” His work in the field began when he was an art-rock star, playing in the band Roxy Music. While he made lots of skronky sounds on early...

At the beginning of “Made in England: The Films of Powell & Pressburger,” Martin Scorsese recounts how he first encountered the works of the legendary filmmaking duo of Michael Powell and Emeric Pressburger as a child under perhaps the worst...

There are bad movies, there are really bad movies, and then there’s “Lumina,” a film so breathtaking in its overall incompetence that one starts to wonder if it’s not intentionally so in the hope of being the next “The Room”...

Produced by The New York Times's video division, and depending heavily on its own reporting, "Sorry/Not Sorry" is a primer on the rise, fall and reinvention of  Louis C.K. A respected standup comic who remade himself as a low-budget arthouse...

Let’s get one obvious thing out of the way: Yes, it hasn’t been that long since we’ve had a feature film on the Empress Elisabeth of Austria, commonly known to public as Sisi. That film was Marie Kreutzer’s “Corsage” (2022),...

“Touch,” from Icelandic director Baltasar Kormákur, is vast in scope, stretching over decades, languages, continents, and cultures, with themes of memory, aging, loss, and love. But its sensibility is as exquisitely tender as the flutter of a butterfly wing.  Kristófer...

The first and last films of any filmmaker's oeuvre serve as fascinating signposts of their work -- sometimes they feel like acute demonstrations of their progress as filmmakers throughout the years, others feel like elliptical representations of the same themes...

Some people become actors because they crave an audience, a camera, a director, or the fans. Some do it because they love to become other people, transform themselves, or tell stories. Shelley Duvall, who died this week at age 75, became...