Roger Ebert

You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
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An interview with the writer-director team of the acclaimed dramedy.
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Telluride Film Festival 2025: The Bend in the River, Summer Tour, This is Not a Drill
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Maybe it’s because they have to compete against buzzier awards titles, but documentaries at Telluride Film Festival always feel like hidden gems. In this dispatch are two such films, both dealing with the end of an era. The third film...
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Peacock’s “The Paper” Shuffles “The Office”‘s Formula To A Funny, Worthy Spinoff
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A smart, breezy, goodnatured sitcom, and something of a love letter to the noblest aspects of the profession.
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Venice Film Festival 2025: Remake, Nuestra Tierra, Kim Novak’s Vertigo
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On three Venice docs, including an emotional stunner.
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Something Wicked This Way Comes in the Second Half of “Wednesday” Season Two
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Despite Part Two trying a sort of hard reset, "Wednesday" still struggles to feel cohesive.
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Female Filmmakers in Focus: Sierra Falconer on “Sunfish (& Other Stories on Green Lake)”
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An interview with the director of the sun-dappled Michigan-set Sundance fave, produced by Joanna Hogg.
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Telluride Film Festival 2025: The Cycle of Love, H is for Hawk, La Grazia
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It’s always surprising what films sneak up on you at a film festival. Of the three films I wrote about for this Telluride Film Festival dispatch, I would’ve guessed a Claire Foy-led movie about grief or a new Paolo Sorrentino...
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Do You Hear Your Trees? They’re Crying: Graham Greene (1952—2025)
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A tribute to the trailblazing Native American actor, who died this past weekend.
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Venice Film Festival 2025: The Biennale College
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On the films of this year's Biennale College, a program for emerging filmakers.
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