Roger Ebert

NYFF 25: The Currents, Gavagai, Is This Thing On? 
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On three films from NYFF, including the latest from Bradley Cooper.
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It’s A Process: Kelly Reichardt on “The Mastermind” and Josh O’Connor’s Timeless Mug
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A conversation with the writer/director of The Mastermind.
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CBS Wants Your Sitcom Time to Be Spent at the “DMV”
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“DMV” is already at that phase where it just needs to refine what it does well to become a weekly watch for the millions of people who still watch CBS.
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The Darkest Samurai Film Ever Made: Toshio Matsumoto’s “Shura”
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A Far Flunger looks at the masterful "Shura," aka "Demons."
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NYFF 2025: The 63rd Edition Comes to a Close
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A look back at this year's event, including detailed thoughts on Jafar Panahi's latest from the expert in Iranian cinema.
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You Play Well: Diane Keaton (1946-2025)
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A look back at the life and works of the fearless actress.
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Some Things You Consume, Some You Experience: Mary Bronstein on “If I Had Legs I’d Kick You”
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The filmmaker behind A24's latest talks about the taboos of motherhood, the film's cosmic aspects, and more.
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Apple TV+ Thriller “The Last Frontier” Gets Snowed Under In Pulpy Action and Cheap Melodrama
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"The Last Frontier" flits between two distinct modes, one entertaining and one frustrating.
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Tim Robinson Sits in a World of Paranoid Conspiracies in HBO’s “The Chair Company”
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It’s a show that alternately plays like a mystery and a study of a man going insane. It might be both.
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Netflix’s “Boots” is a Trite Coming-of-Age Tale with a Hollow Corps
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In trying to play both sides, “Boots” falls flat tonally.
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