Roger Ebert

On three movies about difficult childhoods from this year's Cannes.

Today's dispatch includes a Sean Baker production and the latest from Oliver Laxe.

Despite the elegant production design and admirable effects, "Murderbot" feels like a sci-fi comedy still searching for identity.

The opening days of the fest included strong words from Palme recipient Robert De Niro on our present political moment.

Despite the occasional unevenness, it’s one of the most promising comedies to hit television in recent memory.

A look at the restoration-centered film festival, playing this week at the Jacob Burns Film Center.

Three films tackle deliberately paced tales of people struggling against governmental and bureaucratic systems.

On two of Cannes first full day's challenging dramas.

The opening night of the fest features a lackluster new release and a venerated classic.

The sketches that work best do so in spite of the scatology, not because of it.