Roger Ebert

An interview with the director and co-writers of "Meet Cute in Manhattan."

“MobLand” is familiar but effective.

A conversation with Alain Guiraudie about his career and "Misericordia".

“Side Quest” is an easy watch, but a forgettable one.

Every cameo is another brush stroke in the portrait rendered by “The Studio”: A collective middle finger to the system, sent with love.

The Ebert Fellows report from the True/False Film Festival.

To watch the fifth episode of Ken Burns' "Baseball" is to see exactly what makes the sport great as a metaphor for the country. 

The unbroken shots of Netflix's hit crime drama are more than just for show: They hit at the emotional immediacy of grief and despair.

“The Residence” is a comedy of manners and murder that nails scintillating satire to the White House walls, compelling us to step inside.

I walked away from “Happy Face” having mostly enjoyed the experience of watching it, but I couldn’t say I was smiling.