Roger Ebert

This Tuesday, May 14th, the 77th edition of the Cannes Film Festival kicks off, with a bevy of new and exciting titles from classic and contemporary filmmakers around the globe. Some of the most eagerly anticipated works of 2024 make their...

Since their remarkable breakthrough role as a soulful, lonely rancher in Kelly Reichardt’s “Certain Women,” Lily Gladstone has left an indelible mark on cinema and television. Mostly working with writer-directors on small, personal projects, they've blazed an invaluable trail for...

If you were to look at a photograph of Roger Corman without knowing who it was, you might suspect that he was a straight-laced Midwestern businessman—the kind of guy who thrived back in the days of three-martini lunches and Elks...

In 2013, my late husband Roger and I launched RogerEbert.com as a stand-alone site separate from our previous partner since 2002, the Chicago Sun-Times. As you know, Roger passed away April 4, 2013, and I made the decision to continue the movie review site in...

In case you’re wondering, “Nothing Can’t Be Undone By a HotPot” is not only the best movie title of the year so far, but also a no-frills Chinese whodunit about a pile of stolen cash, a human body, and a...

Every year, the Cannes Film Festival is an embarrassment of riches, offering moviegoers a smorgasbord of exciting, challenging cinema. In recent times, the likes of “Parasite,” “Portrait of a Lady on Fire,” “The Worst Person in the World,” “Triangle of...

Chris Pine's first film as a director, "Poolman," is a character comedy about oddball Los Angelenos that doubles as a spoof of 1940s detective movies. Pine also cowrote (with Ian Gotler), co-produced, and plays the title character, Darren Barrenman. Darren is a big-bearded,...

Police brutality is a subject that never seems to leave the news. There’s too many instances, too many stories from around the country pointing to a larger abuse of state-sanctioned power. Some headlines bubble up to national attention, even those...

There’s a moment in Ryûsuke Hamaguchi's 2018 film “Asako I & II” that radiates tenderness: Married couple Asako (Erika Karata) and Ryohei (Masahiro Higashide) have just returned home after helping at a fish market. Ryohei, exhausted, lays flat against the...

I hadn't heard of the movie before, but couldn’t take my eyes off it. I was immersed in the counterculture heyday of San Francisco. A Black Nigerian student played by Paul Eyam Nzie Okpokam explores the strange landscape, the far-out characters,...