Roger Ebert

What a pleasure it was seeing the Pixar movie “Luca” on a big screen on Easter Sunday – and not just because it was part of AMC Theaters’ “Fan Faves” series, which screens older (typically family) movies for $5 a...

“The thirst for knowledge is a very commendable thing. Though I do believe that when you hear the explanation you shall laugh riotously, slappin' your knee and perhaps even wipin' away a giddy tear, relieved of your former concern.” When...

Luis Fernando Puente’s “I Have No Tears, and I Must Cry” takes place in the confines of an immigration office where lives are forever changed, providing the prospective citizens correctly filled out their paperwork and followed the rules of citizenship....

Rory Kennedy is a phenomenal interviewer. We’ve seen this before in her other projects like the Oscar-nominated “Last Days in Vietnam,” and it’s the main strength of her new project, HBO’s 4-part “The Synanon Fix.” Her skill set in making...

For more than 80 years, the auteur theory has provided a handy guide to thinking about who’s responsible for a movie’s authorship. Yes, films are the hard work of thousands of actors, craftspeople, producers, writers and others, but ultimately, it’s...

"Play Dirty" is a witty, acerbic, gorgeously ugly film that says something a lot of people don't want to hear but internalize every day: War is a feature of life, not a bug. We decided it was an acceptable price...

What color is music anyway... Beyoncé dropped her new album "Cowboy Carter" just after midnight Friday morning, and as expected, the BeyHive went wild. But the significance of the act goes beyond just music, it is also a cultural invitation to stop putting  artists in a tight box,...

In processing the news that we have lost Louis Gossett, Jr. it is striking that the part that won him the Academy Award in 1983 is not the only role of his that comes to mind. With a whopping 200...

Dear Ebertfest Movie Lovers, In celebration of our 25th Anniversary, several of our longtime audience members have shared their testimonials with us about what drew them to Ebertfest and why they keep coming back. These snapshots of what makes Ebertfest...

To call "The Listener" minimalist would be an understatement. Shot a year into the pandemic, it played film festivals in 2022 and is only now getting a proper release, and once you watch it you can see why it wasn't treated as...