Somehow, I remain a proud member of the Dallas-Forth Worth Film Critics Association here in Texas, and so I am pleased to pass along the news that our group has voted the comedy-drama Anora as the best film of 2024,...
When Disney tapped filmmaker Jon Favreau (The Jungle Book, Chef, Elf) to direct a computer-animated remake of its 1994 classic, The Lion King, it was met with of raised eyebrows, minot irritation, and a shedload’s worth of doubt, but the...
Alright, I'm sort of back in the news delivering saddle after a busy few weeks preparing my clients for the worst that Old Man Winter can deliver. With that out of the way I can now look forward to the...
It is pleasing to see how effortlessly director Steven Soderbergh makes the kind of of low-key espionage potboilers Black Bag, or previously with Michael Fassbender, Haywire, seem. Collaborating again with screenwriter David Koepp (Presence, Kimi) this spy drama about George Woodhouse (Fassbender)...
French veteran helmer Jacques Audiard blends crime, telenovela, and musical into a genre-twisting fable about transformation led by Karla Sofía Gascón, Zoe Saldaña, and Selena Gomez. [Read the whole post on screenanarchy.com...]
Some months, it's very hard to choose which new delectable upcoming Criterion release to highlight, and March 2025 is just such a month. I must say: the king of monsters wins. Directed by Kazuki Omori, Godzilla Vs. Biollante (1989) kicked...
Any opportunity to talk to Kier-La Janisse makes me happy. The chance to help celebrate a new project of hers is a cause for celebration. I hereby nominate for Blu-ray box set of the year All the Haunts Be Ours...
That should probably read: one of Federico Fellini's masterpieces. The fact that he followed La Dolce Vita merely a year later with 8 1/2 puts the Italian auteur in a rarefied group of filmmakers who have pulled off a one-two...