Screen Anarchy

It's almost funny how well puberty and horror mix, especially for women. It's not just bodies and moods that change with hormones, but also the behavior of everyone else. Some see an innocent cherub changing into a possible sexual conquest,...

Keira Knightley and Ben Whishaw star in a Netflix spy thriller with similarities to Peacock's 'The Day of the Jackal' and Paramount Plus' 'Lioness.' [Read the whole post on screenanarchy.com...]

Italian filmmaker Maura Delpero talks about the exploration of personal memory, regional authenticity, and shifting social norms. [Read the whole post on screenanarchy.com...]

Women In The Director's Chair (WIDC) announced that recepiant of this year's WIDC Feature Film Award is Toronto-based filmmaker, Lu Asfaha.    Each year a number of talented women get selected for special awards from the group. This one is...

It's not surprising that there is a probable audience for a biopic on Bob Dylan, America's greatest folk singer/songwriter, a true living legend who has released over 50 albums, and is still going strong, doing tour at the venerable age...

If ever there was a franchise that deserved a third part, it is Danny Boyle and Alex Garland's "Days Later..." concept.  The first one, 28 Days Later... was the pop cultural birth of both the 'fast zombie' as well as...

Iranian filmmaker Mohammad Rasoulof's The Seed of the Sacred Fig has received international recognition, while its production and release have highlighted the challenges faced by its director, cast, and crew amid political and social pressures in Iran. [Read the whole...

Perhaps because we feel, more so than ever, at the edge of a possible fall of civilzation as we know it, the destruction of the environment to the point of unsustainability, but likely many of us have thought about (either...

Swedish director Magnus von Horn discusses themes of systemic societal failure and moral ambiguity, as well as historical and contemporary contexts. [Read the whole post on screenanarchy.com...]

Saulė Bliuvaitė talks about how her experiences growing up in post-Soviet Lithuania shaped the film's portrayal of adolescence, industrial decay, and socio-economic struggles. [Read the whole post on screenanarchy.com...]