Screen Anarchy

Chandler Levack's latest, the Canadian romcom Mile End Kicks, hit cinemas on April 17th. It will have its long awaited US premiere at SXSW before that. The film's distributor Sumerian Pictures has sent out a whopper of a gallery of...

Nearly three decades after its release, The Matrix remains as relevant as ever, and likely always will be. It's one of my all-time favorite action films. When I first watched it, though, I was captivated less by its philosophy and...

Variety has reported this morning that French sales outfit Charades has come on board the slasher horror sequel, In A Violent Nature 2, and will present it to buyers during EFM in Berlin.    The sequel ... brings back Ry...

With Bazaar (Murder in the Building), Rémi Bezançon delivered the intended closing film of IFFR: a playful homage to filmmaker Alfred Hitchcock. One of Hitchcock's finest films, Rear Window, is about watching, listening, and cinema itself. Photojournalist Jeff, accustomed to...

Alice Rohrwacher reflects on her collaborative practice, myth-infused realism and the production realities shaping contemporary European auteur cinema. [Read the whole post on screenanarchy.com...]

This year's winner of the Audience Award at the International Film Festival Rotterdam is I Swear, Kirk Jones' biopic about John Davidson. To say it is a crowdpleaser is an understatement: from hundreds of votes, the film got a mean...

James C. Kirby was an intense man.   He lived not one life, but several: A priest of the Temple of Set, a hotel chef, a social worker for traumatized men, a craft jeweller, and the former owner of Canada’s...

A sadistic personal trainer kidnaps their client and puts them, and other captives, through punishing, often lethal workouts. [Read the whole post on screenanarchy.com...]

'Crime 101,' 'Sweetness,' 'Broken Bird,' 'Cold Storage,' 'By Design,' and 'The Mortuary Assistant' compete with two wide releases. [Read the whole post on screenanarchy.com...]

Contemporary horror star Emma Roberts is set to star in a new folklore horror, from the producer of LONGLEGS and THE MONKEY, directed by HELL HOUSE's Stephen Cognetti [Read the whole post on screenanarchy.com...]