Screen Anarchy

DRACULA Review: Slick, Horny, and Surprisingly Silly
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Caleb Landry Jones, Zoë Bleu, Matilda De Angelis, and Christoph Waltz star in director Luc Besson's new, romantic version of the classic tale. [Read the whole post on screenanarchy.com...]
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PUKE BITCH Teaser Trailer Exclusive: Horror Thriller Series to Premiere at Slamdance Next Week
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The pilot episode of a potential horror thriller series, PUKE BITCH, premieres to sold-out crowds at Slamdance next week. We are debuting the teaser trailer right here. [Read the whole post on screenanarchy.com...]
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Sundance 2026 Review: TO HOLD A MOUNTAIN, Farmers in Montenegro Fight for Their Land
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Directed by Biljana Tutorov and Petar Glomazić, the documentary follows what happens when residents fight back against politicians. [Read the whole post on screenanarchy.com...]
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Rotterdam 2026 Review: FISH, FISTS AND AMBERGRIS Hits All Of Its Targets
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The International Film Festival Rotterdam doesn't just do the no-budget debuts of beginning directors, it also allows glimpses of what is hot in other countries. This is the festival where we got introduced to the Korean classics of the past...
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Rotterdam 2026 Review: MURDER IN THE BUILDING, Funny Hitchcockian Shenanigans
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Time flies when you're having fun, and that saying applies to the International Film Festival Rotterdam. Last Saturday there was the screening of the closing film already, the world première of Rémi Bezançon's Le Crime du 3e Étage, to be...
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Sundance 2026 Review: GHOST IN THE MACHINE, A Must-See AI Primer
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Valerie Veatch directed the "mind-expanding, investigative essay" documentary. [Read the whole post on screenanarchy.com...]
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Sundance 2026 Review: I WANT YOUR SEX, Olivia Wilde and Cooper Hoffman Headline Gregg Araki’s Welcome Return to Filmmaking
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Between 1987 (Three Bewildered People in the Night) and 2010 (Kaboom), queer filmmaker Gregg Araki wrote and directed 10 films, solidifying his status as a New Queer Cinema visionary with few, if any, peers (only arthouse favorites Derek Jarman and...
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Sundance 2026 Review: THE INVITE, Who’s Afraid of Olivia Wilde and Seth Rogen?
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When we first meet Joe (Seth Rogen), a failed musician turned conservatory music instructor, in director Olivia Wilde’s (Don’t Worry Darling, Booksmart) superbly engaging third film, The Invite, he’s mired in a miasma of self-doubt, disappointment, and frustration.   Indifferently...
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Rotterdam 2026 Review: MI AMOR
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The International Film Festival Rotterdam is host to many beginning directors, but that doesn't mean there are no regular returning guests. Writer, director and actor Guillaume Nicloux has visited the festival several times, and this year he brought a treat...
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Sundance 2026 Review: NIGHT NURSE, Promising Psychosexual Thriller Dissipates Into Abstraction
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Filmmaker David Lynch (Lost Highway, Wild At Heart, Blue Velvet) may have left this mortal plane for the next, but his influence — not to mention his filmography — survives in the work of filmmakers who found a kindred spirit...
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