Screen Anarchy

Sundance 2025: What We Saw, Liked and Loved
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On January 23, 2025, the center of our genre-film loving world moved to Park City, Utah, US, where the Sundance Film Festival unveiled a broad and diverse selection of films. Our own Mel Valentin and Martin Tsai attended the festival...
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FIRST WORD ON HORROR Exclusive Clip: Horror Author Paul Tremblay
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Movies start with the written word. Without a filmaker or screenwriter putting their ideas down on paper or screen there is no foundation for a vision. Countless times a year literary works are being optioned or adapted to film, their...
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THE MONKEY Review: This Toy Is Scary As Hell And It Means Business
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After shocking the horror world last year with box office juggernaut Longlegs, director Osgood Perkins returns with a gonzo adaptation of one of Stephen King’s most nihilistic short stories in The Monkey. Revamping the story from a morose, chaotic, paranoid...
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Rotterdam 2025 Review: LILIM Makes You Look Under The Bed
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The International Film Festival Rotterdam has a healthy relationship with Asian genre cinema. In the past it was basically the go-to place for fans to check it out, and the (in)famous "Rotterdämmerung" part of the festival provided anime, horror and...
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Sundance 2025 Review: SUNFISH (& OTHER STORIES ON GREEN LAKE), Underachieving Lake Michigan Drama
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Quartet of stories unfolding during a summer on Lake Michigan makes for an underachieving drama. [Read the whole post on screenanarchy.com...]
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Sundance 2025 Review: THE LEGEND OF OCHI, Family-Oriented Fantasy-Adventure For the Win
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After two decades directing shorts, commercials, and music videos, writer-director Isaiah Saxon makes his official feature-length debut with The Legend of Ochi, a richly imagined, Amblin-influenced family-oriented fantasy-adventure set in a semi-contemporary mythical Eastern Europe.   Bolstered by  environmental themes,...
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HEART EYES Review: This Gooey Rom-Com Slasher Really Hits The Spot
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Love is in the air in Heart Eyes, the new Valentine's Day slasher from director Josh Ruben. Unfortunately for the cute couples of the world, this also means that a serial killer with a thing for young lovers is on...
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Sundance 2025 Review: SORRY, BABY, Trauma Recovery Drama Elevated by Eva Victor’s Writing, Directing, Acting
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Nurtured by Pastel, Barry Jenkins’ production company, Eva Victor (Billions) wrote, directed, and stars in Sorry, Baby, one of the most remarkable, quite possibly extraordinary feature-film debuts in recent festival history.   To turn her screenplay into reality, Victor spent...
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Screambox in February: TERRIFIER 3… And Some Other Movies. But Also, TERRIFIER 3!
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Now, now. That headline is just a little joke. Anything else that is up against the streaming debut of horror giant Terrifiier 3 already knew they had an uphill battle for our attention.    Just in case the extreme horror and...
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Sundance 2025 Review: PLAINCLOTHES, Undercover Cop and Repressed Desire Are Combustible Elements
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Somewhere in the bowels of an upstate New York shopping mall circa 1997, the undercover cop, Lucas (Tom Blyth), in writer-director Carmen Emmi’s fascinatingly tense, engrossing character study, Plainclothes, sits quietly at a first-floor dining area, his eyes perpetually scanning...
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