Screen Anarchy

Sound And Vision: Rupert Sanders
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In the article series Sound and Vision we take a look at music videos from notable directors. This week: How To Destroy Angels' The Space In Between, directed by Rupert Sanders. Rupert Sanders likes his liquids thick and his protagonists...
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DRAG ME TO HELL 4K Review: Mad, Visceral Storytelling
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Sam Raimi’s 2009 return to horror after the 1992 Army of Darkness, Drag Me to Hell, is from a more innocent time. Just like ye old E.C. Comics and Tales From the Darkside, Drag Me to Hell is a morality...
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Friday One Sheet: HOT FROSTY (Sorry)
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I apologized in the title, and I apologize again here, for propagating the deluge of Christmas themed romantic and family slop on the various streaming services. Recently this is providing much needed work for Lindsay Lohan, albeit Lohan does not appear the...
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RED ONE Review: Short on Christmas Cheer, Long on Holiday Schmear
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If there was a Guinness World Record for the most jacked-up Santa in a big-budget, Hollywood-financed, holiday-themed action-comedy, Oscar winner J.K. Simmons (Whiplash) would win hands down and biceps curled for his committed portrayal of Father Christmas (aka, St. Nick,...
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Now Streaming: THE DAY OF THE JACKAL Feels Like a Week
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Eddie Redmayne, Lashana Lynch, and Ursula Corbero star in a series inspired by Frederick Forsyth's suspense novel. [Read the whole post on screenanarchy.com...]
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Morbido 2024 Review: A FISHERMAN’S TALE, Social Perils And The Mythical Creature Who Made it Worse
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Edgar Nito’s rural legend horror flick, A Fisherman’s Tale, opens at dusk with a shot of La Miringua. We’re looking at her from a distance, peering at her through branches of a tree. She is feasting on a goat it...
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DAFT STATE Exclusive Clip: Open Your Eyes
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Easton’s mysterious psychological destruction drives him to the edge of sanity and possible self-harm by those who love him most... his wife and daughter. Will Easton succumb to their increasingly traumatizing pressure, or will he conquer the dark forces at...
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DOC NYC 2024 Review: UNION, A Film That Won’t Be Streaming on Amazon
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In a world of plutocracy, the working-class struggle is not a left or right issue. [Read the whole post on screenanarchy.com...]
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GHOST CAT ANZU Review: Jaws Will Drop
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To the sounds of cicadas during a Tokyo summer, 11-year-old Karin and her father Tetsuya leave the city by train to visit a countryside temple where the caretaker is the grandfather she has never met. It is a grand old...
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ALL WE IMAGINE AS LIGHT Review: A Major Work of Contemporary Indian Cinema
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Payal Kapadia's soul-stirring docudrama, A Night of Knowing Nothing, delicately weaved together India's national politics, student protest movement, cinema, and its nostalgia in 2021. Her follow-up narrative film, All We Imagine as Light, proves that she is one of the...
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