Slant Magazine

Friedland and Chalfant discuss aesthetics adding empathy to the recreation of dementia. The post Interview: Sarah Friedland and Kathleen Chalfant on Creating an Eternal Present in ‘Familiar Touch’ appeared first on Slant Magazine.

Elio’s best trait is the one that permeates every truly great first-contact story. The post ‘Elio’ Review: Princes of the Universe appeared first on Slant Magazine.

In the end, F1 succeeds for many of the same reasons that Top Gun: Maverick does. The post ‘F1: The Movie’ Review: Joseph Kosinski’s Racing Movie Coasts on Old-School Filmmaking Swagger appeared first on Slant Magazine.

Jarvis discusses the at once tender and menacing shape he gave to his role in the film. The post Interview: Cosmo Jarvis on ‘Inside’ and His Character’s Uncertain Path to Redemption appeared first on Slant Magazine.

The film makes an impassioned plea to hopeless optimists everywhere, but good luck listening. The post ‘Everything’s Going to Be Great’ Review: Jon S. Baird’s Gratingly Overstuffed Family Dramedy appeared first on Slant Magazine.

The film shows us a different kind of found footage depending on the situation. The post ‘Man Finds Tape’ Review: Paul Gandersman and Peter S. Hall’s Eerie Found-Footage Nightmare appeared first on Slant Magazine.

Swegal’s feature-length directorial debut is like staring into a national wound. The post ‘Sovereign’ Review: Christian Swegal’s Unsettling Portrait of an Anti-Government Extremist appeared first on Slant Magazine.

The singer’s voice easily holds these songs together, but the material could be more compelling. The post Van Morrison ‘Remembering Now’ Review: A Patchy but Laidback Return to Form appeared first on Slant Magazine.

The film is uncannily expressive, intensely violent, and perversely funny. The post ‘Dog of God’ Review: A Bewitching and Grotesque Rotoscope-Animated Fever Dream appeared first on Slant Magazine.

The film is a human drama that skirts topicality to ruminate on the nature of truth itself. The post ‘Sham’ Review: Miike Takashi’s True-Crime Drama Puts the Truth Itself on Trial appeared first on Slant Magazine.