Slant Magazine

It presents all the complex and seemingly contradictory emotions of a forced life on the road. The post ‘Notes on Displacement’ Review: Khaled Jarrar’s Harrowing Portrait of an Uncommon Reality appeared first on Slant Magazine.

It will probably come down here to the contenders that grapple with familiar foes. The post Oscar 2025 Winner Predictions: Short (Live Action) appeared first on Slant Magazine.

The festival’s curatorial boldness has never felt so necessary. The post IFFR 2025: ‘Spermageddon,’ ‘Don’t Leave the Kids Alone,’ ‘Guo Ran,’ & ‘Wind, Talk to Me’ appeared first on Slant Magazine.

Culkin has practically run the table this Oscar season, and with good reason. The post Oscar 2025 Winner Predictions: Supporting Actor appeared first on Slant Magazine.

Monstro Elisasue will take one more blood-spewing bow here. The post Oscar 2025 Winner Predictions: Makeup & Hairstyling appeared first on Slant Magazine.

Abbott discusses the merging of character and self and how the film fits into his career arc. The post Interview: Christopher Abbott on Finding Himself in the Irishness of ‘Bring Them Down’ appeared first on Slant Magazine.

The film is startlingly earnest in having Quan play both to and against type. The post ‘Love Hurts’ Review: Ke Huy Quan Turns Down for What in Playfully Earnest Meta-Movie appeared first on Slant Magazine.

Dibbern and Larson discuss how writing about film led them back to writing about themselves. The post The Closeted Imagination: Doug Dibbern and Richard Scott Larson on Film Memoirs appeared first on Slant Magazine.

The film’s particular genius lies in a very consistent use of off-screen space. The post ‘The Fishing Place’ Review: Rob Tregenza’s Historical Drama Celebrates the Crane Shot appeared first on Slant Magazine.

Tony Benna’s film is a consistently hilarious look at the ridiculousness of living with cancer. The post ‘André Is an Idiot’ Review: An Irreverent Comedy About the Loss of an Irreverent Mind appeared first on Slant Magazine.