Slant Magazine

Interview: Tyler Taormina on the Shape and Sincerity of ‘Christmas Eve in Miller’s Point’
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Taormina discusses how “sonder” informs the shape and texture of his work. The post Interview: Tyler Taormina on the Shape and Sincerity of ‘Christmas Eve in Miller’s Point’ appeared first on Slant Magazine.
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‘The Piano Lesson’ Review: Malcolm Washington’s Reverential August Wilson Adaptation
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The film, at times, strains for visual dynamism at the expense of the plays’ natural rhythms. The post ‘The Piano Lesson’ Review: Malcolm Washington’s Reverential August Wilson Adaptation appeared first on Slant Magazine.
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‘Bird’ Review: Andrea Arnold’s Gritty, Sentimental Coming-of-Age Fable Flies Blind
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Arnold’s artful indulgences often detract from the film’s purported authenticity. The post ‘Bird’ Review: Andrea Arnold’s Gritty, Sentimental Coming-of-Age Fable Flies Blind appeared first on Slant Magazine.
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The 100 Best Film Noir Movies of All Time
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The best examples of this genre continue to evoke humanity’s eternal fear of social disruption. The post The 100 Best Film Noir Movies of All Time appeared first on Slant Magazine.
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Interview: Yuval Abraham and Basel Adra on ‘No Other Land’ and Its Plea for Freedom
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The filmmakers discuss what making the documentary taught them about the nature of power. The post Interview: Yuval Abraham and Basel Adra on ‘No Other Land’ and Its Plea for Freedom appeared first on Slant Magazine.
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‘Juror #2’ Review: Clint Eastwood’s Old-Fashioned and Morally Ambiguous Courtroom Drama
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Eastwood’s film casts a morally inquiring side-eye at the American legal system. The post ‘Juror #2’ Review: Clint Eastwood’s Old-Fashioned and Morally Ambiguous Courtroom Drama appeared first on Slant Magazine.
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‘The Graduates’ Review: A Quietly Somber Portrait of a Community Living Through Grief
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Writer-director Hannah Peterson effectively suffuses the film with a mournful absence of life. The post ‘The Graduates’ Review: A Quietly Somber Portrait of a Community Living Through Grief appeared first on Slant Magazine.
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‘September 5’ Review: Tim Fehlbaum’s Clock-Ticking Thriller Is Antsy and Apolitical
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Here, the thrills of the journalism procedural come at the expense of ideological nuance. The post ‘September 5’ Review: Tim Fehlbaum’s Clock-Ticking Thriller Is Antsy and Apolitical appeared first on Slant Magazine.
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‘Here’ Review: Robert Zemeckis’s High-Concept Family Epic Is a Mawkish Misfire
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The film is a woefully misguided VFX-aided odyssey through mid-20th-century America. The post ‘Here’ Review: Robert Zemeckis’s High-Concept Family Epic Is a Mawkish Misfire appeared first on Slant Magazine.
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‘Wallace & Gromit: Vengeance Most Fowl’ Review: A Hilarious and Heartfelt Friendship Test
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As ever, the loving textures of Aardman’s claymation practically warm the heart. The post ‘Wallace & Gromit: Vengeance Most Fowl’ Review: A Hilarious and Heartfelt Friendship Test appeared first on Slant Magazine.
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