Slant Magazine

‘Dandelion’ Review: Words Don’t Always Sing in Nicole Riegel’s Sophomore Feature
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Around the edges of the central relationship, Dandelion is disappointingly diffused. The post ‘Dandelion’ Review: Words Don’t Always Sing in Nicole Riegel’s Sophomore Feature appeared first on Slant Magazine.
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‘Made in England: The Films of Powell & Pressburger’ Review: To the Archers, with Love
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The film is a loving, personal tribute to the filmmaking duo known as the Archers. The post ‘Made in England: The Films of Powell & Pressburger’ Review: To the Archers, with Love appeared first on Slant Magazine.
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‘Sing Sing’ Review: A Humane, If Self-Aware, Look at Healing Through Art and Collaboration
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This is a film of noble intentions, and it boasts vulnerable performances from its cast. The post ‘Sing Sing’ Review: A Humane, If Self-Aware, Look at Healing Through Art and Collaboration appeared first on Slant Magazine.
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‘The Convert’ Review: New Zealand Period Drama Nearly Succumbs to White Savior Syndrome
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The film isn’t well served by centering the perspective of Guy Pearce’s white British preacher. The post ‘The Convert’ Review: New Zealand Period Drama Nearly Succumbs to White Savior Syndrome appeared first on Slant Magazine.
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Karlovy Vary Film Festival 2024: Leos Carax’s ‘It’s Not Me’ and Abdellah Taïa’s ‘Cabo Negro’
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It’s Not Me begins with a modest “I don’t know” as a riposte to a proposed riddle. The post Karlovy Vary Film Festival 2024: Leos Carax’s ‘It’s Not Me’ and Abdellah Taïa’s ‘Cabo Negro’ appeared first on Slant Magazine.
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‘Beverly Hills Cop: Axel F’ Review: Entertaining Legacy Sequel Seeks Comfort in Nostalgia
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Like that infectious, iconic synth-pop theme, this is a film of familiar pleasures. The post ‘Beverly Hills Cop: Axel F’ Review: Entertaining Legacy Sequel Seeks Comfort in Nostalgia appeared first on Slant Magazine.
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FIDMarseille 2024: ‘An Oscillating Shadow,’ ‘Amusement Park,’ and ‘Kunst der Farbe’
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These three films bear the scars from a region’s history of violence like a fertile inheritance. The post FIDMarseille 2024: ‘An Oscillating Shadow,’ ‘Amusement Park,’ and ‘Kunst der Farbe’ appeared first on Slant Magazine.
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‘The Substance’ Review: Coralie Fargeat’s Exhilarating Feminist Body-Horror Freak Show
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It’s impossible to deny that Fargeat’s film holds you even at its most frenzied. The post ‘The Substance’ Review: Coralie Fargeat’s Exhilarating Feminist Body-Horror Freak Show appeared first on Slant Magazine.
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‘Eephus’ Review: A Playful, Melancholic Ode to a Fading Universe and the Ties that Bind
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Carson Lund treats the power of a shared interest with profound, elegiac empathy. The post ‘Eephus’ Review: A Playful, Melancholic Ode to a Fading Universe and the Ties that Bind appeared first on Slant Magazine.
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‘Kill’ Review: Nikhil Nagesh Bhat’s Bollywood Action Extravaganza Doesn’t Miss a Beat
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Kill continually finds clever ways to defy our expectations. The post ‘Kill’ Review: Nikhil Nagesh Bhat’s Bollywood Action Extravaganza Doesn’t Miss a Beat appeared first on Slant Magazine.
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