Slant Magazine

The sense of hope in There’s Still Tomorrow feels measured and pragmatic. The post ‘There’s Still Tomorrow’ Review: Paola Cortellesi’s Winning Black-and-White Feminist Parable appeared first on Slant Magazine.

We keep coming back here the same presupposition: that this is Demi Moore’s race to lose. The post Oscar 2025 Winner Predictions: Actress in a Leading Role appeared first on Slant Magazine.

The film’s open affection for the Looney Tunes franchise has a restorative quality. The post ‘The Day the Earth Blew Up: A Looney Tunes Movie’ Review: An Old-School Blast appeared first on Slant Magazine.

Today we ask ourselves if the wind has blown away from Adrien Brody in this category. The post Oscar 2025 Winner Predictions: Actor in a Leading Role appeared first on Slant Magazine.

With his latest, Dumont leaves the refreshment of the space opera to future practitioners. The post ‘The Empire’ Review: Bruno Dumont’s Smugly Absurdist Anti-Space Opera appeared first on Slant Magazine.

Leandro Koch and Paloma Schachmann’s film is a genuine work of ethnomusicology. The post ‘The Klezmer Project’ Review: A Heady Journey of Preservation Through Bessarabia appeared first on Slant Magazine.

At the SAGs last weekend, it was easy to see how Emilia Pérez’s luck had faded. The post Oscar 2025 Winner Predictions: International Feature Film appeared first on Slant Magazine.

This category could end up being a consolation prize for The Brutalist. The post Oscar 2025 Winner Predictions: Cinematography appeared first on Slant Magazine.

It’s hard not to see Dune: Part Two’s sandworm mayhem as being in its own lane here. The post Oscar 2025 Winner Predictions: Sound appeared first on Slant Magazine.

The narrative drive of Conclave’s script proves a model for concision and momentum. The post Oscar 2025 Winner Predictions: Adapted Screenplay appeared first on Slant Magazine.