Slant Magazine

The film is as fiercely economical as Jaume Collet-Serra’s best work. The post ‘Carry-On’ Review: Flight, Camera, Action appeared first on Slant Magazine.

Ross discusses how he and his collaborators pushed forward the idea of point of view. The post Interview: RaMell Ross on Evolving Camera Language with ‘Nickel Boys’ appeared first on Slant Magazine.

The film fails to take advantage of the most basic fertile ground of its concept. The post ‘Kraven the Hunter’ Review: The Mild Hunt appeared first on Slant Magazine.

As it sprints through the most notable moments of Dylan’s life, the film lapses into incoherence. The post ‘A Complete Unknown’ Review: James Mangold’s Self-Defeating Biopic of Bob Dylan appeared first on Slant Magazine.

There’s a lot of Miyazaki Hayao’s Nausicaa in the film’s visual language. The post ‘Lord of the Rings: War of the Rohirrim’ Review: Kamiyama Kenji’s Powerful Heroine’s Journey appeared first on Slant Magazine.

The documentary is invigorated by Herzog’s persistently quixotic line of questioning. The post ‘Theater of Thought’ Review: Werner Herzog’s Galaxy-Brained Exploration of Consciousness appeared first on Slant Magazine.

Gia Coppola has crafted a film that feels fleeting and illusory by design. The post ‘The Last Showgirl’ Review: Pam Anderson Elevates Undercooked Tale of a Dream Cut Short appeared first on Slant Magazine.

The film presents a way of life where the only friction is between “man” and “nature.” The post ‘Gaucho Gaucho’ Review: A Sumptuously Distanced Portrait a Cowboy Community appeared first on Slant Magazine.

Eggers’s cinema has an aesthetic ravenousness about it that’s both stylish and sequestered. The post ‘Nosferatu’ Review: Robert Eggers’s Evocatively Cloistered Homage to a Horror Classic appeared first on Slant Magazine.

Pasolini leverages little in the way of words to tell his version of the story. The post ‘The Return’ Review: Uberto Pasolini’s Minimalist Retelling of Homer’s ‘The Odyssey’ appeared first on Slant Magazine.