Slant Magazine

Check out our ranking of all the Palme d’Or winners since 2001. The post Every Cannes Palme d’Or Winner of the 21st Century Ranked appeared first on Slant Magazine.

The film is the highly anticipated prequel to the series created by John Krasinski. The post <em>A Quiet Place: Day One</em>’s New Trailer Takes Us Back to the Day the World Went Quiet appeared first on Slant Magazine.

These widescreen skirmishes exude none of the grace and realism of the more somber scenes. The post <em>Kingdom of the Planet of the Apes</em> Review: A Marvel, but Only in Moments of Somber Repose appeared first on Slant Magazine.

Hamaguchi discusses the evolution of his approach to dialogue and camera movement. The post Interview: Hamaguchi Ryûsuke on Music and Movement in <em>Evil Does Not Exist</em> and <em>Gift</em> appeared first on Slant Magazine.

The film is rich in compositions that seem to cut to the essence of the characters’ yearnings. The post <em>Gasoline Rainbow</em> Review: The Ross Brothers’ Formally Extravagant Teenage Daydream appeared first on Slant Magazine.

With each new narrative development, the film’s game of cat and mouse grows more complex. The post <em>The Last Stop in Yuma County</em> Review: A Darkly Funny Shoot ’Em Up in the Arizona Desert appeared first on Slant Magazine.

The film is a trenchant look at how the police have only built their impunity over time. The post <em>Power</em> Review: A Damning Indictment of Paramilitarism in American Policing appeared first on Slant Magazine.

Whenever Ryan Gosling and Emily Blunt aren’t on screen together, the movie magic dissipates. The post <em>The Fall Guy</em> Review: Movie-Star Charisma Gets This Paean to Stuntpeople Only So Far appeared first on Slant Magazine.

The film is eventually caught up in the very pomp and splendor that it initially lampoons. The post <em>Jeanne du Barry</em> Review: Maïwenn’s Hollow Portrait of a Courtesan Turned Comtesse appeared first on Slant Magazine.

The O’Connor of Wildcat is a contentious outsider who seems ill at ease in her own skin. The post <em>Wildcat</em> Review: A Prickly and Uncompromising Biopic, Just Like Flannery O’Connor Herself appeared first on Slant Magazine.