The Film Stage

Gladiator II Review: Ridley Scott’s Sequel Bests Predecessor By Going Dumb
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Most men think about the Roman Empire several times a week, if a recent meme is to be believed. With Gladiator II, Ridley Scott brings the era back to life in the way only a teenage boy could imagine it....
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Armand Trailer: Renate Reinsve Leads Norway’s Oscar Contender
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After her 2021 breakout in The Worst Person in the World, Renate Reinsve’s 2022 and 2023 seemed fairly quiet for the viewer, but she was working on no shortage of projects that finally saw the light of day this year....
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New to Streaming: A Different Man, The Outrun, My Old Ass, Used Cars & More
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Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. A Different Man (Aaron Schimberg) There are a lot of ways A Different Man could go...
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NYC Weekend Watch: Ken Kelsch, Il Grido, Flesh for Frankenstein 3D & More
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NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy CinemaIn honor of Ken Kelsch, Abel Ferrara’s The Blackout and The Addiction screen on 35mm; prints of Douglas Buck’s Family Portraits: A Trilogy of America and the 2006 Sisters remake screen Saturday...
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Five Highlights from the 2024 Tokyo International Film Festival
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There’s always the high-wire act, an exchange-and-trade, attending festivals in enviable parts of the world. Some locations only offer too much joy at the opportunity to kill time with a directorial debut that will never be seen outside these confines....
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Oh, Canada Trailer: Richard Gere Reflects on His Life in Paul Schrader’s Poignant Drama
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After his trio of “Man in a Room” films, Paul Schrader has switched gears with the poignant drama Oh, Canada. Reteaming with his American Gigolo star Richard Gere, the film follows a famed Canadian documentary filmmaker who gives a final...
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Riga Review: Dreamy Stereoscopic 3D Folk Tale Twittering Soul is One of a Kind
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Not many people have mourned 3D cinema’s second waning. Yet, every now and then, the old parlor trick threatens to capture the imagination. I can think of two films in the last few years that have done such: the first...
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“Life Is Worth Celebrating”: Tyler Taormina on Christmas Eve in Miller’s Point
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With just three features to his name, Tyler Taormina has cemented himself as one of the most perceptive chroniclers of small-town America. His 2019 debut, Ham on Rye, tracked a gaggle of high school seniors as they geared up for...
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Riga Review: Saulė Bliuvaitė’s Locarno-Winning Toxic Will Worm Its Way Inside You
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It’s a shame Toxic wasn’t around for the recent excretions of body-horror discourse. Saulė Bliuvaitė’s debut feature, winner of the Golden Leopard at this year’s Locarno Film Festival, does at least as much to turn the stomach with its tablet...
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Kani Kusruti on All We Imagine as Light, Girls Will Be Girls, and Indian Moviegoing Culture
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In All We Imagine as Light, a nurse in a Mumbai hospital is confronted by the emptiness in her life when she helps a friend move to a seaside village. Set near an upscale Himalayan prep school, Girls Will Be...
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