The Film Stage

Santosh Review: U.K.’s Oscar Entry is a Taut Exploration of Gender Politics and Police Corruption
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After the riot-induced death of her policeman husband in the badlands of North India, 30-something widow Santosh Saini (Shahana Goswami) is told she has nothing. Her house, provided by the State, belongs to the State and will be reclaimed, along...
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C.J. Prince’s Top 10 Films of 2024
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Following The Film Stage’s collective top 50 films of 2024, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. I’ll be blunt: it wasn’t a good year for films, or at least for me...
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John Hillcoat Reveals Cormac McCarthy’s “Faustian” Vision for Blood Meridian Film
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It was more than 18 months ago that we learned John Hillcoat will adapt Blood Meridian, perhaps our era’s quintessential piece of cinema-defying material. What’s eluded a list of auteurs from notable (Todd Field) to intriguing (Tommy Lee Jones) to...
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The Film Stage’s Most-Read Posts of 2024
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As we continue to explore the best in 2024, today we’re taking a look at the articles that you, our dear readers, enjoyed the most throughout the past twelve months. Spanning reviews, interviews, features, podcasts, news, and trailers, check out...
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Zhuo-Ning Su’s Top 10 Films of 2024
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Following The Film Stage’s collective top 50 films of 2024, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. Perhaps in a year where wars are raging, the planet is burning, and the cruelest...
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The Brutalist Cinematographer Lol Crawley on VistaVision, the 70mm Experience, and Brady Corbet’s Flexibility
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Perhaps no film this year represents more from a cinematographic standpoint than The Brutalist. A continents- and decades-spanning period piece shot on VistaVision––the first English-language feature to do so since Marlon Brando’s One-Eyed Jacks in 1961––and projected on 70mm implies...
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Santosh Director Sandhya Suri on Quiet Characters, Economic Filmmaking, and Emotional Chess
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Emerging after over a decade of development, Santosh is Sandhya Suri’s first narrative feature after a career in documentary. Shortlisted for Best International Feature Film at the Academy Awards, representing the UK, the film is inspired by a real program...
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Laceno D’Oro Review: Pastoral Hybrid Doc Savanna and the Mountain Confronts An Urgent Struggle with Humor and Charm
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In Savanna and the Mountain, the real villagers of Covas do Barroso in Northern Portugal do battle with Savannah Resources, a real British company looking to turn large areas of their UNESCO-protected region into Europe’s largest lithium mine. As moral...
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NYC Weekend Watch: Minority Report, Mr. Deeds, La Notte & More
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NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy CinemaMinority Report shows on 35mm Friday; The Beguiled, The Age of Innocence, and City Dudes play Saturday; Jean Rollin’s Lost In New York and The Sealed Soil screen on Sunday. Film ForumMr. Deeds Goes to...
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Robyn Bahr’s Top 10 Films of 2024
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Following The Film Stage’s collective top 50 films of 2024, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. 2024 was my year of big, blustering cinema. The kind of movie that makes you...
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