The Film Stage

The Criterion Collection’s June Lineup Features Mishima, Sorcerer, and Brazil on 4K
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I’ve still never seen The Wages of Fear (life moves fast and there’s books to read in-between all those films) but within days of Criterion’s 4K arriving at my door comes news that its little brother is next in line....
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Pet Shop Days Review: An Admirably Abrasive Film With a Blistering Hero at the Helm
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Pet Shop Days, written by Jack Irv, Olmo Schnabel, and Galen Core and directed by Schnabel in his debut, features a protagonist so unlikable, so emotionally ugly it’s almost to be admired. Alejandro (Darío Yazbek Bernal) is a rich Mexican...
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The B-Side – Amy Irving and Peter Riegert on Crossing Delancey
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Welcome to The B-Side! Here we talk to movie stars! About a movie that people love and the hidden gems they’ve also made! Conor and I were lucky enough to speak with Amy Irving and Peter Riegert, on the occasion...
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New to Streaming: I’m Still Here, All We Imagine as Light, Trap, Every Little Thing & More
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Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. All We Imagine as Light (Payal Kapadia) Following up her enigmatic, beautiful debut A...
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NYC Weekend Watch: Scorsese Selects, Nightshift, Lou Ye & More
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NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy CinemaMartin Scorsese has programmed Living, Breathing New York, which starts with Shadows and a 35mm print of Heaven Knows What on Sunday; The Rubber Gun (watch our exclusive trailer...
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Andrew Davis on His New Novel Disturbing the Bones, Remembering Gene Hackman, and the Difficulties of Trying to Get Movies Made Today
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We love speaking with filmmaker Andrew Davis. In late 2023 The Fugitive director came on our podcast The B-Side to discuss a slew of hidden gems as well as the 4K release of his Harrison Ford blockbuster.  Davis is back...
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Exclusive Trailer and Poster for Love Hotel Restores Shinji Somai’s Pinku Classic
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Does the English language contain six sweeter words than “A Pinku Classic from Shinji Somai”? The last couple of years have seen his work restored and properly released with enough diligence and passion to elevate him from cinephile obscurity to...
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The Actor Review: André Holland is Terrific in Duke Johnson’s Surreal Solo Directorial Debut
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For as much light as The Actor is bathed in, it’s equally shrouded in darkness. Duke Johnson’s solo directorial debut is a film of bleary sun and swallowing night and almost nothing in-between. It wouldn’t make sense to depict the...
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SXSW Review: Death of a Unicorn is a Mythical, Predictable Genre Mash-Up
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A film with a few solid laughs and crowd-pleasing moments, Death of a Unicorn never quite pushes the envelope as far as it could or should. Landing somewhere between a traditional horror comedy and a Succession-lite satire, Alex Scharfman’s debut...
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SXSW Review: The True Beauty of Being Bitten by a Tick is a Fascinating DIY Bergman-Esque Experiment
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Falling somewhere between a horror film and dark comedy about wellness crazes, The True Beauty of Being Bitten by a Tick is, like director Pete Ohs’ previous Jethica, a film that suggests watching a play within a movie. Both features...
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