The Film Stage

Jackass: Best and Last Review: Knoxville & Co. Return for One Last Encore
||
The thing with Jackass is: there’s really nothing like it. Evolving from the skate videos of the 1990s, Jackass has persisted long enough to see its public perception come full circle: from lewd, obnoxious jerks to lewd, obnoxious sweethearts. The...
continue reading
Romería Review: A Personal Tale of Intergenerational Dissonance
||
Note: This review was originally published as part of our 2025 Cannes coverage. The film opens on June 26. Continuing in the low-key register of her Golden Bear winner Alcarràs, Carla Simón returns with Romería, another tale of intergenerational dissonance....
continue reading
The Invite Review: A Knockout Relationship Comedy
||
Note: This review was originally published as part of our 2026 Sundance coverage. The film opens on June 26. Among Sundance’s great pleasures is the experience of a film steadily building buzz to the point where it becomes the talk...
continue reading
Drunken Noodles Review: A Sultry and Strangely Calming Drama
||
Note: This review was originally published as part of our 2025 Cannes coverage. The film opens on June 26. The laws of time and space are met with frisky ambivalence in Drunken Noodles, Lucio Castro’s anticipated third feature and surely...
continue reading
Bouchra Review: An Aesthetically Bold, Personal Animation
||
Note: This review was originally published as part of our 2025 TIFF coverage. The film opens on June 26. Based on a real-life conversation shared by co-director Meriem Bennani and her own mother, Bouchra (co-directed with Orian Barki and co-written...
continue reading
Exclusive Restoration Trailer For Black Chariot Resurrects a Long-Lost Independent Black Cinema Landmark
||
One of the first Black writers in television, Robert L. Goodwin scripted episodes of Bonanza, Love, American Style, All in the Family, and more. His sole directorial effort came in 1971 with Black Chariot, which follows a young South Central Los Angeles...
continue reading
New Trailer for Tsai Ming-liang’s The Hole Ahead of 35mm Theatrical Run
||
Tsai Ming-liang’s The Hole has occupied a large-enough place in cinephilia these last 25 years that it’s sort of baffling to realize the film is just now getting an official stateside run. For this alone, Big World Pictures deserves credit;...
continue reading
“Memory Is Not Something You Can Trust”: Carla Simón on Romería, Family Stories, and Antonioni
||
Excavating her past in deeply moving ways, Spanish filmmaker Carla Simón has completed her family trilogy with Romería, following her debut Summer 1993 and Golden Bear winner Alcarràs. When a teenager visits the Atlantic coast of Spain to meet her paternal grandparents,...
continue reading
How to Divorce During the War Trailer: Sundance Winner Arrives This August
||
A standout at the Sundance Film Festival earlier this year, where director Andrius Blaževičius picked up Best Director in the World Cinema Dramatic Competition, How to Divorce During the War has been picked up by Kino Lorber and Zeitgeist Films...
continue reading
Mare’s Nest Review: Ben Rivers Radiates an Inordinate, Contagious Curiosity for the Unknown
||
Note: This review was originally published as part of our 2025 Locarno coverage. The film opens on June 24. Long before they came to designate a state of hopeless confusion, the words “mare’s nest” once meant something more electrifying: the...
continue reading