The Film Stage

Sean Baker has been making films for nearly 25 years. With Anora, his Palme d’Or winner following the journey of a stripper from Brooklyn, he’s ascended further into popular culture. Baker isn’t a mainstream filmmaker, though, instead thriving in the...

With Janus possessing the much-needed restorations, Catherine Breillat is getting her biggest-ever spotlight in November’s Criterion Channel series spanning 1976’s A Real Young Girl to 2004’s Anatomy of Hell––just one of numerous retrospectives arriving next month. They’re also spotlighting Ida...

After getting sucked into the Dwayne Johnson abyss of tentpole filmmaking, Jaume Collet-Serra is getting back to what he knows best: thrillingly calibrated B-movies. Next spring will see the theatrical release of his Danielle Deadwyler-led horror thriller The Woman in...

Every year is a good year to admire Kiyoshi Kurosawa, whose filmography runs far and deep enough to essentially guarantee you’ve yet to discover something wondrous. 2024 is of particular note, though: it’s brought Cloud, a thrilling detour into action...

After many years of radio silence on Elaine May’s Crackpot, a comedy starring Dakota Johnson that was planned to be the 92-year-old filmmaker’s fifth and final directorial feature, we finally got an update earlier this year. During the Madame Web...

While Aardman creations Wallace and Gromit have seen their universe expanded with Shaun the Sheep films and even videogames, they haven’t been prominent in a proper feature film since 2005’s The Curse of the Were-Rabbit. That is now about to...

Five years, the closest presidential election in Brazilian history, and one insurrection after her last examination of Brazil’s tumultuous socio-political sphere, Petra Costa––the brilliant documentarian behind Elena and The Edge of Democracy––hones in on Jair Bolsonaro, the radical evangelical right...

It’s October, which means Criterion’s already thinking about 2025. Their new year auspiciously starts with a 4K UHD release of Jean Eustache’s magnum opus The Mother and the Whore, featuring a new interview with Françoise Lebrun and a new conversation...

While there’s a few more fall film festivals popping up in the next month, the major ones are behind us, which means we have a strong sense of the films to have on your radar in the coming months and...

Timothy and Stephen Quay have developed an entirely unique style in the world of stop-motion animation: vigorously kinetic yet meticulously controlled; balletic in its interweaving of aural and visual rhythms; full of the sort of trivia and esoterica that fascinated...