The Film Stage

28 Years Later: The Bone Temple Trailer Sets Sequel for Summer’s Best Blockbuster
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If it feels like 28 Years Later just came out, that’s because the film released on June 20 and today is September 3. But time waits for no man (especially when the zombies are running that fast) and Nia DaCosta’s...
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Venice Review: In Kathryn Bigelow’s A House of Dynamite is a Ruthlessly Effective Thriller
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If human life were to essentially grind to a halt tomorrow, would it be due to a) the itchy trigger finger of a military hothead, b) the low accuracy rate of even the best interceptor missiles, or c) some other...
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13 Films to See in September
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If one peruses our 50-title fall movie preview, there shouldn’t be too many surprises for narrowing down what to see in September. But with our most-anticipated film of the entire year arriving this month, along with some early autumn gems,...
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Riefenstahl Review: A Portrait of the Artist as a Nazi Collaborator
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It is fascinating what the human mind will allow. Riefenstahl, a documentary directed by Andres Veiel about the life of Leni Riefenstahl, explores the rationalizations the filmmaker allowed herself in order to explain her collaborations with the Nazi Party in...
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Trailer for El Pampero Cine’s Venice and NYFF Premiere Pin de Fartie Turns Samuel Beckett Upside-Down
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Fall-festival season invariably crowds-out some of its finer offerings. For all the sturm und drang surrounding a studio’s middling and formulaic awards hopeful, the same festival might screen a blissfully experimental feature that, despite actually achieving something new with narrative...
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Trailer for Mike Figgis’ MEGADOC Goes Behind the Tumultuous Creation of Francis Ford Coppola’s Megalopolis
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Few recent films scratch an itch like MEGADOC. Whatever the cinematic value of Mike Figgis’ documentary––and accounting for cheap-looking title cards with obvious typos, low-energy music, maybe not enough done with interview subject George Lucas while cutting out the participating...
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Venice Review: François Ozon’s The Stranger Finally Gives Albert Camus’ Novel Its Cinematic Due
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Nobel laureate Albert Camus is one of the most consequential thinkers and writers in the French language, having created absurdist characters and worlds that reflect a view on human existence which remains hauntingly unique. His debut novel The Stranger has...
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Pynchon, Paul Thomas Anderson, and Postmodernism on Film
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Paul Thomas Anderson is taking another strike at Thomas Pynchon in One Battle After Another, a modern-day reworking of the reclusive author’s 1990 novel Vineland. And Pynchon himself is back in the news with a new novel, Shadow Ticket, out...
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10 Must-See Short Films at TIFF 2025
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Comprising 48 titles from 28 countries, this year’s Short Cuts program at the Toronto International Film Festival doesn’t represent any sort of significant change from 2024 (48 shorts but from 23 countries, so a little more geographic representation this time)....
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Venice Review: An Impressive Dwayne Johnson Softens Benny Safdie’s The Smashing Machine
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The Smashing Machine is a movie with a lot of heart and soul. It’s also a movie with great love for its subjects: the people involved and, for better and worse, the industry they helped build. It’s inspired by a...
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