The Film Stage

The summer movie season continues with a handful of festival highlights coming to theaters, including Cannes premieres both from this and last year, alongside family dramas, vampire flicks, and one of the boldest experimental offerings of the year. We should...

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. The Boys in the Boat (George Clooney) This is, from start to finish, an...

NYC Weekend Watch is our weekly round-up of repertory offerings. Film ForumFilms by Oshima, Tony Scott, Alex Cox, John Carpenter, Abel Ferrara, and Tobe Hooper play in “Out of the 80s“; Le Samouraï continues in a new 4K restoration; Back to the Future plays on Sunday. Museum of Modern ArtA massive...

Eight years after My Life as a Zucchini premiered in Directors’ Fortnight en route to winning two Césars (and nabbing one Oscar nomination), Swiss director Claude Barras returns to Cannes with Savages, an emotionally resonant stop-motion fable that looks at...

Summer time is approaching, which means it is, of course, Belarusian folk-horror season. As part of Deaf Crocodile Films’ new collaboration with DiabolikDVD, the largest independent online distributor of specialized home video releases, their first release will be Valeri Rubinchik’s ultra-rare...

Welcome to The B-Side, from The Film Stage. Here we talk about movie directors! Not the movies that made them famous or kept them famous, but the ones that they made in between. Today we talk about one of the...

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by Sam Cohen to discuss George Miller’s Furiosa: A Mad Max Saga. Enter our giveaways, get access to our private Slack channel, and...

In the derelict, scraggly city in northwest China where Guan Hu’s Black Dog is set, human life has all but disappeared and canines have replaced their masters. The year is 2008, a few weeks before the kick-off to the Beijing...

A little silly to say about a movie that premiered in competition at Cannes and had the much-desired fall-festival run, but there should’ve been a little more excitement about Last Summer, which deserves much celebration for its own merits but...

Matthieu Laclau is a French editor who has been working in China and Taiwan since 2008. His collaboration with director Jia Zhangke in A Touch of Sin won him Best Film Editing at the Golden Horse Awards, Taiwan’s equivalent to...