The Film Stage

NYC Weekend Watch is our weekly round-up of repertory offerings. Anthology Film ArchivesA Zoë Lund retrospective includes films by Abel Ferrara and Larry Cohen; Stan Brakhage plays in “Essential Cinema.” Museum of the Moving ImageFilms by Robert Altman, Isabel Sandoval,...

“I can’t believe we’re here,” a friend said to me about halfway through this year’s Il Cinema Ritrovato, which takes over the center of Bologna for nine glorious days every summer, before correcting himself: “It actually makes a lot of...

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr are joined by David Rooney to discuss Ti West’s MaXXXine. Enter our giveaways, get access to our private Slack channel, and support new episodes by...

Have you ever dreamt of a better version of yourself? One of the most-discussed films coming out of this year’s Cannes Film Festival was Coralie Fargeat’s Revenge follow-up The Substance, a body horror feature that picked up Best Screenplay. Starring...

Following up his Cannes Film Festival sensation in 2017, BPM (Beats per Minute), Robin Campillo recently returned with his new feature, Red Island. A semi-autobiographical film inspired by the director’s childhood in Madagascar, following a festival tour it’ll now arrive in...

About 18 months ago a total stranger asked that I come to a Ridgewood apartment and watch a movie. This suggests the start of a profoundly unappetizing Penthouse letter; instead it’s how I saw Adrian Anderson and Patrick Gray’s lo-fi,...

Winner of the 2024 Directing Award in its U.S. Documentary category at Sundance Film Festival, Julian Brave NoiseCat and Emily Kassie’s Sugarcane is one of the most gripping documentaries of the year. Set for an August 9 theatrical release from...

When Lee Isaac Chung was announced as director of a legacy sequel to Twister, many were quick to bemoan the fact that we’re stuck in an age where helming a Best Picture nominee isn’t enough to ensure funding for your...

It’s been 15 long years since Sam Raimi last helmed a film in the genre he knows best, but the filmmaker is now finally returning to the horror arena with a new project. After a few fumbled forays in the...

Returning with his first film since 2019’s The Goldfinch, Brooklyn director John Crowley’s drama We Live in Time pairs Florence Pugh and Andrew Garfield in a decade-spanning romance. Recently announced for a world premiere at the Toronto International Film Festival...