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You’d expect the pivotal music cue in Philippe Lesage’s Who by Fire to be its namesake by Leonard Cohen, a beautiful and plaintive prayer of a song. But instead it’s The B-52s’ infectious slice of bubblegum “Rock Lobster,” initially seeded...

Reviewing No Other Land out of Berlinale, Rory O’Connor described the “disorienting and dispiriting landscape” into which it was premiering. Quite an understatement to say the city of Berlin and its major-market festival fumbled through any response to the ongoing...

Francis Ford Coppola’s Megalopolis isn’t this year’s only epic around which a director has staked much of their finances to fulfill. After owning television screens for the past few years, Kevin Costner is making his major return to the big...

In 1953, Alain Resnais, Chris Marker, and Ghislain Cloquet produced Statues Also Die, one of the fiercest and most lucid indictments of white imperialism ever captured on film. Commissioned by the magazine Présence Africaine, it sought to dissect Western attitudes...