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An Anime Landmark Returns In Trailer for Ghost in the Shell 2: Innocence‘s 4K Restoration
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It’s opportune timing for a 4K restoration of Ghost in the Shell 2: Innocence, the only anime feature to debut in competition at the Cannes Film Festival. The 20 years since that premiere have been kind to Mamoru Oshii’s film,...
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First Footage From Leos Carax’s It’s Not Me Reflects on a Visionary Career
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Aside from Jean-Luc Godard’s last film, one of the shortest premieres at Cannes Film Festival that was among our most-anticipated is Leos Carax’s 40-minute cine-memoir It’s Not Me. While our review of the latest work from the Holy Motors and...
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SOLO Review: Love that Elevates, Love that Destroys
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How can we know what makes us happy? More importantly, how can we trust the people around us to make us happy, support us in our happiness, provide us with the love and care we deserve? And how can we...
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Cannes Review: The Hyperboreans is Cristóbal León and Joaquín Cociña’s Warning Against Political Amnesia
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“We humans are capable of greatness,” reads the first line in Cristóbal León and Joaquín Cociña’s The Hyperboreans as the narrator’s voice beams from an old TV set. On the screen, a hypno wheel spins and spins; the voice speaks...
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West Side Oratory: Judas and the Black Messiah
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As I type this essay, students across the country are encamped in university quads. Protesting American Imperialism, by way of protesting their universities’ investments in war profiteers. They are most vocal about the final obliterations of Gaza. As a longtime...
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The Film Stage Show Classic – Field of Dreams (with Noah Gittell)
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Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr discuss Field of Dreams (now streaming on Prime Video) in a special Classic episode featuring guest Noah Gittell, author of the new book Baseball: The...
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Sean Baker’s Anora – 2024 Cannes Critics’ Panel: Day 8
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Returning to the official competition for a second time, this is American indie filmmaker Sean Baker‘s third consecutive trip to Cannes after The Florida Project premiering in the Directors’ Fortnight in 2017 and Red Rocket (read our ★★★★ review) premiering...
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Animale | 2024 Cannes Film Festival Review
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Toro Toro Toro: Amamra Grabs the Bull By the Horns in Transformative Role For those who champion the bull in Spain’s electrifying yet antiquated tradition of the running of the bulls, there’s a fresh perspective awaiting in a genre-blending narrative...
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David Cronenberg’s The Shrouds – 2024 Cannes Critics’ Panel: Day 7
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In his late career resurgence with Crimes of the Future having been showcased in the comp in 2022, David Cronenberg makes his entrance with The Shrouds (aka Les Linceuls) – a Canada-France co-production. Having been here before for Crash (1996),...
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Cannes Review: To a Land Unknown Tells a Bitter Poem of Palestinian Exile
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The tragic predicament of the Palestinians and what they’re now being subjected to begs to be analyzed and dissected, with various areas of dubious historical consensus put to new scrutiny; in Mahdi Fleifel’s fiction debut To a Land Unknown, we’re...
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