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Entertainment Squad, Parent Company of The Horror Collective, Acquires PrideFlix
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Entertainment Squad, the distribution company behind horror label, The Horror Collective (#ChadGetsTheAxe, Ghosts of the Void, Thou Shalt Kill and queer horror comedy Summoning Sylvia), has announced that they have acquired LGBTQ+ label PrideFlix.    Deadline shared the news earlier...
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MR. NOBODY AGAINST PUTIN
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(The 2025 Sundance Film Festival runs January 23- February 2 in and around gorgeous Park City, UT. HtN has you covered for all the hottest titles like Chris Reed’s Mr. Nobody Against Putin movie review. Seen it? Join the conversation with HtN on...
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M. Night Shyamalan Sets Jake Gyllenhaal-Led Romantic Thriller as Next Feature
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Not long since Trap left us heralding the return of Josh Hartnett and dazzled by the music of Lady Raven, M. Night Shyamalan has set his next feature. Per Deadline, the project’s a Jake Gyllenhaal-led supernatural romantic thriller with unusual...
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INHERITANCE Review: These Spy Kids Films Aren’t What They Used to Be
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Phoebe Dynevor and Rhys Ifans star in director Neil Burger's thriller. [Read the whole post on screenanarchy.com...]
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Sundance Review: All That’s Left of You is an Impactful Exploration of Decades of Palestinian Trauma
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A sprawling, gripping drama that starts with the foundation of the state of Israel and the displacement of Palestinian families in Jaffa, then ends two years shy of the Hamas-led attacks of October 7, Cherien Dabis’ All That’s Left of...
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‘Rebuilding’ Review: Josh O’Connor Is Magnetic in Sensitive Portrait of Resilience
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Rebuilding captivates as it finds contentment sitting in the silence and stillness of a scene. The post ‘Rebuilding’ Review: Josh O’Connor Is Magnetic in Sensitive Portrait of Resilience appeared first on Slant Magazine.
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Compensation Trailer: Zeinabu irene Davis’ Newly Restored Independent Cinema Landmark Arrives This February
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Recently set to be preserved at the National Film Registry of the Library of Congress as a film that represents important cultural, artistic and historic achievements in filmmaking, Zeinabu irene Davis’ Compensation premiered back at 1999 at the Atantla Film...
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Jonathan Majors Goes Psychotic in First Trailer for Magazine Dreams
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Premiering two years ago at the Sundance Film Festival, Elijah Bynum’s Magazine Dreams was to be the start of a major year for Jonathan Majors, delivering a ferocious performance in the Taxi Driver-esque drama set in the world of bodybuilding....
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Sundance 2025 Review: DEAD LOVER, Strange, Weird, Wonderful
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Both singular in vision and singular in execution, filmmaker Grace Glowicki’s fantastic horror-comedy, Dead Lover, must be seen to be disbelieved.   Hyper-stylized, archly written in a hilarious camp tone (when it’s not being achingly sincere), and floridly performed, Dead...
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Introducing Dogma LA 25
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On behalf of Screen Anarchy, I am happy to share the following announcement, with official verbiage provided by Dogma LA 25. For decades, filmmakers have been hindered by a lack of financing and the high cost of technical resources. However,...
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