New York 2026 Review: THE DAY SHE RETURNS, Hong Sang-soo’s Multi-Take Continues
Hong Sang-soo can find inspirations for his films anywhere. [Read the whole post on screenanarchy.com...]
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New York 2026 Review: BITTER CHRISTMAS, Weird Act of Artistic Self-Deprecation
Pedro Almodóvar's latest feature film. [Read the whole post on screenanarchy.com...]
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Interview: Andrea Pallaoro – The Echo Chamber
With his fourth feature film, Andrea Pallaoro turns his fascination with isolation, fractured identity and the difficult mechanics of human connection toward a story of love, addiction and control. Without the safety net of working on his screenplay, the works...
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PENDULUM: New Poster For Mark Heyman’s Debut Horror Feature
Mark Heyman's feature film directorial debut, Pendulum, is being released by Vertical in theaters nationwide on New Year's Day, January 1st, 2027. A new poster was released today. Check it out, down below. Married couple Patrick and Abigail journey...
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‘The Debut’ Review: Julianne Moore Finds Her Voice as a Housewife on the Brink
Moore’s virtuosic performance gives Jesse Eisenberg’s musical comedy its emotional footing. The post ‘The Debut’ Review: Julianne Moore Finds Her Voice as a Housewife on the Brink appeared first on Slant Magazine.
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GODZILLA MINUS ZERO: Why is Godzilla so Shouty in New Poster? So Angry.
A new poster for Gozilla Minus Zero has arrived. The big guy stands posed for distruction, our minds filling in the sound associated with such a stance, a massive "Skreeonk". Tickets are on sale now. IMAX early access screenings...
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‘Cameron Winter at Carnegie Hall’ Review: A Young Musician and a Storied Venue in Perfect Sync
Paul Thomas Anderson depicts a relationship that feels historically significant. The post ‘Cameron Winter at Carnegie Hall’ Review: A Young Musician and a Storied Venue in Perfect Sync appeared first on Slant Magazine.
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Echoes: HANGING BY A WIRE, Pakistan’s First Academy Award Documentary Entry, Was Shot Entirely on a Phone
On the morning of August 22, 2023, people in the Allai Valley, Khyber Pakhtunkhwa, looked up. No one could believe their eyes when they saw a cable car hanging hundreds of feet above, suspended by the last cable that was...
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Can “Michael” And “Digger” Overcome Their Reviews To Become Best Picture Nominees?
The only consolation for “Digger” right now, when it comes to the Oscar race, is that it is somehow not the lowest-reviewed film still considered to have a shot at major nominations. That position still belongs to “Michael,” to the...
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“More Relevant Every Day”: Julia Loktev on My Undesirable Friends: Part II — Exile
Julia Loktev’s 13-year absence since The Loneliest Planet was once a blemish on film culture; now it’s almost hard to remember. Her role as an artist saw some kind of renaissance with the unveiling of My Undesirable Friends: Part I...
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