Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films
The latter-day work of Tsai Ming-liang—beginning, let’s say, around 2009’s Face or 2013’s Stray Dogs, and extending at least to 2024’s Abiding Nowhere—are not merely devoted to the master-shot style or scant narratives; for the admiring viewer, they briefly make...
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