Dea Kulumbegashvili’s film seeks to embody a dizzying span of human experience. The post ‘April’ Review: A Matter of Life and Death appeared first on Slant Magazine.
It quickly becomes clear that Greg Jardin’s isn’t just here to dazzle us with visual trickery. The post ‘It’s What’s Inside’ Review: A Maximalist Black Comedy About Our Obsessions with Identity appeared first on Slant Magazine.
The particulars of time travel in the film give the whole thing a tactile quality. The post ‘Things Will Be Different’ Review: Sibling Bonds Are Tested in Fleet-Footed Time-Travel Thriller appeared first on Slant Magazine.
Ross’s remarkable film fashions mesmerizing, affecting poetry out of Whitehead’s prose. The post ‘Nickel Boys’ Review: RaMell Ross’s Intensely Subjective Colson Whitehead Adaptation appeared first on Slant Magazine.
This exuberant biopic is as hard to resist as it is to believe that it got made in the first place. The post ‘Better Man’ Review: Robbie Williams Goes Bananas in a “Take That” to Biopic Convention appeared first on...
Following a standout 2023 edition, where critically acclaimed films like India Donaldson’s Good One premiered at Sundance and Cannes, and Sarah Friedland’s Familiar Touch swept three major awards in Venice, the U.S. in Progress team in Wrocław continues to elevate...
The film is an effulgent love letter to ’80s kid cinema, laced with a quirky, Kiwi dryness. The post ‘Bookworm’ Review: A Charming Father-Daughter Adventure in the Wilds of New Zealand appeared first on Slant Magazine.
(Check out Chris Reed’s The Universal Theory movie review. It hits theaters Friday, September 27 via Oscilloscope Laboratories. Seen it? Join the conversation with HtN on our Letterboxd Page.) The Universal Theory opens in 1974, in Hamburg, Germany, as a...