admin

‘Ghost Trail’ Review: Revenge Is Served Cold in Jonathan Millet’s Sophomore Feature
by admin|1 month ago|Slant Magazine
Millet’s film is unconvincing and unnaturally contorted into its shape. The post ‘Ghost Trail’ Review: Revenge Is Served Cold in Jonathan Millet’s Sophomore Feature appeared first on Slant Magazine.
continue reading
Cannes 2025: Our Coverage of Neon’s Remarkable Six-Film Palme d’Or Streak
by admin|1 month ago|Roger Ebert
Our coverage of Neon's impressive six-movie Palme streak.
continue reading
DETECTIVE KIEN: THE HEADLESS HORROR: Victor Vu’s New Film Gets International Release
by admin|1 month ago|Screen Anarchy
Quoc Huy and Dinh Ngoc Diep star. Good news: it's a mystery horror thriller. We've got the poster, stills, and trailer. [Read the whole post on screenanarchy.com...]
continue reading
Sound And Vision: James Foley
by admin|1 month ago|Screen Anarchy
In the article series Sound and Vision we take a look at music videos from notable directors. This week we look at several music videos directed by James Foley. James Foley passed away a few weeks ago, which made me...
continue reading
2025 Cannes Critics’ Panel – Laxe, Mendonça Filho, Panahi & Trier Reign Supreme
by admin|1 month ago|Ioncinema
The final grades trickled in and finally, our top three has slightly changed. Instead of a firm trio, we now have a foursome as the Norwegian film added itself to the mix. All four films are Neon releases in North...
continue reading
‘Tornado’ Review: John Maclean’s Sophomore Feature Is an Overly Mannered Period Parable
by admin|1 month ago|Slant Magazine
Like Slow West before it, the film is a stripped-down genre exercise, for better and worse. The post ‘Tornado’ Review: John Maclean’s Sophomore Feature Is an Overly Mannered Period Parable appeared first on Slant Magazine.
continue reading
The Best Films of the 2025 Cannes Film Festival
by admin|1 month ago|The Film Stage
The 78th edition of the Cannes Film Festival has now concluded, with Jafar Panahi’s It Was Just an Accident taking home the Palme d’Or (see all jury winners here). While our coverage will continue with a few more reviews this...
continue reading
Cannes Review: The Chronology of Water is Kristen Stewart’s Elemental Calling Card for Directorial Greatness
by admin|1 month ago|The Film Stage
Book adaptations yield two kinds of films: those that transliterate and those that translate. While the former insist on keeping the source material’s spirit at the cost of a rendition so faithful it comes to stage things rigidly, like a...
continue reading
Cannes 2025: Put Your Soul on Your Hand and Walk, Militantropos, Imago
by admin|1 month ago|Roger Ebert
Films highlighting the turmoil in Gaza, Ukraine, and Georgia in today's Cannes dispatch.
continue reading
The Mastermind | 2025 Cannes Film Festival Review
by admin|1 month ago|Ioncinema
Thieves Like Us: Reichardt Wanders with an Inscrutable Slacker Abstract paintings are not the only undefined objects in The Mastermind, the latest from Kelly Reichardt, who has become a master herself at creating quiet, emotionally resonant characterizations of lonely, isolated...
continue reading