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Fuller House: Dupieux Lands Kristen Stewart, Woody Harrelson, Emma Mackey, Charlotte Le Bon + Tim & Eric for ‘Full Phil’
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Absurdist auteur par excellence, Quentin Dupieux has thrown us some clapperboard proof that Kristen Stewart, Woody Harrelson, Emma Mackey, Charlotte Le Bon, Nassim Lyes, Tim Heidecker and (re-teaming with Wrong Cops) Eric Wareheim are part of the ensemble for his...
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Toronto 2025 Review: FOLLIES Portrays Polyamory’s Awkward Learning Curve
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Canadian filmmaker Eric K. Boulianne examines the shifting dynamics of long-term intimacy through the lens of non-monogamy, framing a comedy of sexual curiosity that doubles as a study of identity, desire, and generational change. [Read the whole post on screenanarchy.com...]
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Toronto 2025 Review: LOVELY DAY Turns a Wedding Movie Into a Neurotic Comedy of Errors
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Philippe Falardeau adapts Alain Farah's autobiographical novel into a formally restless portrait of anxiety and memory, using the wedding-movie framework less to stage a union than to examine the unstable ground beneath it. [Read the whole post on screenanarchy.com...]
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‘V/H/S/Halloween’ Review: A Devilishly Mean-Spirited Found-Footage Anthology Film
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The film’s directors each take a horror movie staple and put their own distinctive spin on it. The post ‘V/H/S/Halloween’ Review: A Devilishly Mean-Spirited Found-Footage Anthology Film appeared first on Slant Magazine.
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Toronto 2025 Review: FRANZ Uses a Fragmented, Hybrid Form to Portray Kafka Beyond the Conventional Biopic
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Selected as Poland's submission for the Academy Awards, Agnieszka Holland's film approaches the challenge of depicting Franz Kafka through a fragmented docu-fiction form that reflects the author's elusive legacy. [Read the whole post on screenanarchy.com...]
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The Little Prince: Hirokazu Kore-eda Returns to ‘Air Doll’ Thematics with ‘Sheep In The Box’
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Hirokazu Kore-eda has a penchant for bringing things to life. The Japanese filmmaker has reanimated lifeless objects and souls who’ve lost their way, and he is currently revisiting some of those themes with his latest film Sheep In The Box...
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ANEMONE Review: Daniel Day-Lewis Returns in a Middling, Muddled Domestic Drama
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If an actor’s much-anticipated return after a nearly a decade in self-imposed retirement counts as a “cinematic event,” then three-time Academy Award winner Daniel Day-Lewis’ (Lincoln, There Will Be Blood, My Left Foot) above-the-title role in his director son Ronan’s...
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DOGS OF WAR: Kiah Roache-Turner’s Next WWII-Set Creature Horror Announced! Worldwide Sales to Launch at AFM
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Deadline reported this morning that UK sales firm Architect has launched worldwide sales ahead of next month’s AFM on Dogs of War, another creature horror set within writer-director Kiah Roache-Turner’s wartime world.    Dogs of War, inspired by real events,...
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Why “I’m Still Here” Will Always Be a Powerful Watch
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Our South Korean correspondent takes another look at the ever-powerful I'm Still Here.
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‘A House of Dynamite’ Review: Kathryn Bigelow’s Nerve-Shredding Vision of Nuclear Doomsday
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A House of Dynamite stares down impossible questions about an unthinkable scenario. The post ‘A House of Dynamite’ Review: Kathryn Bigelow’s Nerve-Shredding Vision of Nuclear Doomsday appeared first on Slant Magazine.
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