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‘A House of Dynamite’ Review: Kathryn Bigelow’s Nerve-Shredding Vision of Nuclear Doomsday
by admin|9 months ago|Slant Magazine
A House of Dynamite stares down impossible questions about an unthinkable scenario. The post ‘A House of Dynamite’ Review: Kathryn Bigelow’s Nerve-Shredding Vision of Nuclear Doomsday appeared first on Slant Magazine.
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SONS OF THE NEON NIGHT Review: Juno Mak’s Long-Gestating Hong Kong Crime Epic is all Surface, No Feeling
by admin|9 months ago|Screen Anarchy
Visually striking yet narratively incoherent, Juno Mak’s ambitiously staged yet lethargically paced Hong Kong crime saga Sons of the Neon Night finally arrives on home shores, more than a decade after the project was originally announced.    Takeshi Kaneshiro and...
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New York 2025 Review: AFTER THE HUNT, Psychological Drama Aims at Everything at Once, Misses All the Targets
by admin|9 months ago|Screen Anarchy
Julia Roberts, Andew Garfield, Ayo Edibiri, Michael Stuhlberg, and Chloe Sevigny star in Luca Guadagnino's new drama. [Read the whole post on screenanarchy.com...]
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‘Anemone’ Review: Ronan Day-Lewis’s Vaporous Portrait of a Man’s Journey Toward Redemption
by admin|9 months ago|Slant Magazine
Anemone is especially preoccupied with what religion giveth and taketh away. The post ‘Anemone’ Review: Ronan Day-Lewis’s Vaporous Portrait of a Man’s Journey Toward Redemption appeared first on Slant Magazine.
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NYFF Review: Anemone Marks a Breakout Debut and a Riveting Return for Daniel Day-Lewis 
by admin|9 months ago|The Film Stage
The first time Daniel Day-Lewis shows up in Anemone, he’s cloaked in shadow, sitting inside a small cabin in the middle of the North England wilderness. It’s a nearly indecipherable introduction that almost feels by design—a soft, silhouetted launch for his...
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‘Nouvelle Vague’ Review: Richard Linkater’s Love Letter to the French New Wave
by admin|9 months ago|Slant Magazine
There’s pleasure to Nouvelle Vague’s winking affection for Godard’s Breathless. The post ‘Nouvelle Vague’ Review: Richard Linkater’s Love Letter to the French New Wave appeared first on Slant Magazine.
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‘Good Boy’ Review: A Supernatural Horror Film from a Canine’s Point of View
by admin|9 months ago|Slant Magazine
Good Boy finds several clever ways to draw us in to its canine perspective. The post ‘Good Boy’ Review: A Supernatural Horror Film from a Canine’s Point of View appeared first on Slant Magazine.
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‘Trains’ Review: Mariejf Drygas Refracts the Early 20th Century Through a Locomotive Prism
by admin|9 months ago|Slant Magazine
The film’s archival images conjure a sensation of inexorable doom. The post ‘Trains’ Review: Mariejf Drygas Refracts the Early 20th Century Through a Locomotive Prism appeared first on Slant Magazine.
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‘Bone Lake’ Review: A Matter of FetLife and Death
by admin|9 months ago|Slant Magazine
The horror here proves as much a dead end as the main characters’ relationship. The post ‘Bone Lake’ Review: A Matter of FetLife and Death appeared first on Slant Magazine.
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Caught by the Times: Jia Zhang-ke Begins Production on Contemporary Film this December
by admin|9 months ago|Ioncinema
We don’t have a title. We don’t have a synopsis, location or cast news, but Jia Zhang-ke is moving into production this December on his next feature film — and unlike his more recent work which delved into the past,...
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