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Interview: Kelly Reichardt on ‘The Mastermind’ and the Art of the Aftermath
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Reichardt discusses the political climate of an era, collaborating with Josh O’Connor, and more. The post Interview: Kelly Reichardt on ‘The Mastermind’ and the Art of the Aftermath appeared first on Slant Magazine.
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The Man Who Saves the World? Review: A Documentary That Asks: “Can You Believe This?”
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The most interesting thing about Gabe Polsky’s new documentary The Man Who Saves the World? is that it is unsure of its intentions. The film tells the story of Patrick McCollum, a spiritual leader living in Moraga, California. The twist...
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All 2025 Films Having Awards-Qualifying, One-Week Releases
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As we get closer to the end of 2025 and various critics and voting bodies collate their year-end lists and ballots, the question of what is eligible for such selection often crops up. It’s become common practice for distributors to...
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The B-Side Ep. 169 – Bill Paxton (with Billy Ray Brewton)
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Welcome to The B-Side! Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones that they made in between.  Today we talk about a performer that we lost far too...
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San Sebastian 2025 Review: REDOUBT, Measured, Poetic Study of Obsession, Isolation in Rural Sweden
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Swedish filmmaker John Skoog reconstructs the true story of Karl-Göran Persson, a Cold War-era farm laborer who turned his home into a private fortress. [Read the whole post on screenanarchy.com...]
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‘The Choral’ Review: Nicholas Hytner’s Wafer-Thin Period Dramedy About the Power of Music
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The Choral sets out to mix comedy with tragedy, but it’s an unsuccessful brew. The post ‘The Choral’ Review: Nicholas Hytner’s Wafer-Thin Period Dramedy About the Power of Music appeared first on Slant Magazine.
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Serial Killer Brno 2025 Review: QUEEN OF FUCKING EVERYTHING, Finnish Darker Comedy Series, Taps into BREAKING BAD Territory with a Twist
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Writer-director Tiina Lymi delivers a darker Finnish crime dramedy that examines the collapse of middle-class identity through the story of a real estate agent whose gradual descent into criminality exposes the moral fragility beneath social respectability. [Read the whole post...
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Criterion in January 2026: BIRTH and THE DEAD, Plus DEAD MAN and More
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The new year will span a lifetime through fresh releases from The Criterion Collection, headlined by Jonathan Glazer's Birth, John Huston's The Dead, and Jim Jarmusch's Dead Man. Of course, the home video label is about more than life and...
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IT WAS JUST AN ACCIDENT Review: Darkly Comic Social, Moral Examination
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Jafar Panahi's new film. [Read the whole post on screenanarchy.com...]
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A Conversation with Richard Linklater (BLUE MOON)
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On the evening of March 31, 1943, the genre-revising Rodgers & Hammerstein musical Oklahoma! opened at the St James Theater in Manhattan. Before the boisterous curtain calls, Lorenz Hart left the theater for Sardi’s, just a few doors away. For...
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