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Cannes Critics’ Week Unveils 2025 Lineup
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Following last week’s unveiling of the Cannes 2025 lineup, the first sidebar slate has been unveiled with the Cannes Critics’ Week lineup. Particularly of note is the Opening Night film, Laura Wandel’s Playground follow-up Adam’s Interest starring Anamaria Vartolomei and...
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There’s No Catharsis: David Cronenberg on “The Shrouds”
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An interview with the legend about his latest film, The Shrouds.
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First Teaser for Ari Aster’s Eddington Finds Joaquin Phoenix Doomscrolling Through the Depths of 2020
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Reteaming with Joaquin Phoenix after the divisive, impressively anxiety-inducing Beau Is Afraid, Ari Aster is back with his fourth feature. His western Eddington, set for a world premiere in competition at Cannes Film Festival, has now been set for a...
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Interview: Andrew Ahn on Queering Korean Tradition in ‘The Wedding Banquet’
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Ahn talks about what he hopes audiences will take away from his spin on the material. The post Interview: Andrew Ahn on Queering Korean Tradition in ‘The Wedding Banquet’ appeared first on Slant Magazine.
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DELICATESSEN: Grimly Hilarious Post-Apocalypse Comes to Severin Films
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Severin Films brings weirdness from France, Italy, and the US home to Blu-ray and 4K UHD, including Brandon Cronenberg's 'Antiviral' and Lamberto Bava's 'The Mask of Satan.' [Read the whole post on screenanarchy.com...]
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GUNSLINGERS Review: Come for Nicolas Cage, Stay If You Have 100 Minutes to Spare
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Nicolas Cage, Stephen Dorff, and Heather Graham star in writer/director Brian Skiba's Western. [Read the whole post on screenanarchy.com...]
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Interview: David Cronenberg on ‘The Shrouds,’ a Haunting Meditation on A.I., Life, and Death
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Cronenberg discusses the pull of A.I., taking to the dead, and the optimism of the film’s ending. The post Interview: David Cronenberg on ‘The Shrouds,’ a Haunting Meditation on A.I., Life, and Death appeared first on Slant Magazine.
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Series Mania 2025 Review: MUSSOLINI: SON OF THE CENTURY, Fascism as a Burlesque Theatre
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Director Joe Wright gives his Mussolini biopic a 'Les Miz' treatment in a burlesque political miniseries about the rise of fascism. [Read the whole post on screenanarchy.com...]
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‘Invention’ Review: Fake It Till You Make It
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Courtney Stephens’s film blends fiction and autobiography to fascinating implications. The post ‘Invention’ Review: Fake It Till You Make It appeared first on Slant Magazine.
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THE BIG BEND Exclusive Clip: Award-Winning Drama Available Now on Digital And On-Demand
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Two families, the Prices and the Talbotts, meet for a long overdue reunion in the remote West Texas desert — where events quickly don’t go as planned. Harboring secrets and facing private crises, they explore one of the wildest places...
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