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An integral figure in New York City’s independent film scene, having produced films by Ricky D’Ambrose, Joanna Arnow, Dan Sallitt, Matías Piñeiro, Gina Telaroli, Ted Fendt, and more, Graham Swon premiered his second directorial feature An Evening Song (for three...

Note: This review was originally published as part of our 2024 Cannes coverage. Caught by the Tides opens in theaters on May 9. Jia Zhangke’s is often a cinema of déjà vu: “We’re again in the northern Chinese city of...

Do you want someone to whisper into your ear or yell? In most cases, you’ll answer the former, but if the decibel level is at the point where you can barely hear––and might even be losing interest in what’s being...

Wong Kar-wai’s long-gestating Blossoms Shanghai first began airing in China way back in late 2023. After three years of filming, the series comprised 30 episodes of around 50 minutes each (yes, that is 25 hours of new Wong Kar-wai, for those counting),...

Shakespeare adaptations are not the surest commercial prospect; asking audiences to show for a contemporary riff on one of the Bard’s lesser-known plays is another demand entirely. Nevertheless, it’s a shame how little attention was granted Michael Almereyda’s Cymbeline when...