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SXSW 2025 Review: HALLOW ROAD, A Folk Horror Two-Hander On A Deep, Dark Forest Lane
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A tragic accident, a terrified teenage girl, a pair of panicked parents, and a long lonely road in the woods feature in Iranian-British director Babak Anvari’s latest chiller, Hallow Road, premiering as part of this year’s SXSW Film & TV...
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Berlinale 2025 Review: 1001 FRAMES Exposes Power, Performance, and Control
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Mehrnoush Alia's audition thriller examines the blurred boundaries between artistic authority and coercion in an Iranian take on a casting couch. [Read the whole post on screenanarchy.com...]
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SXSW 2025 Review: MERMAID, A Florida Meth-Head Finds Love in this Absurd Comedy
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Doug’s life sucks. He’s broke, strung out on meth, his ex-wife hates him, he owes money to some very dangerous people, and he doesn’t really see a way out. He’s at the end of his rope when he stumbles across...
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NOVOCAINE Interview: Directors Dan Berk and Robert Olsen Talk Their Action Comedy. And Pain.
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Directors Dan Berk and Robert Olsen discuss pain, rules, shotlists, storyboards, and making a movie for a "broad audience to just come and have a fun time." [Read the whole post on screenanarchy.com...]
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SXSW 2025 Review: ASH, Flying Lotus Delivers Gory Space Horror
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Riya Ortiz wakes up in a desolate space station. Red warning lights flash, ominous automated messages call out from the station’s computer. Then the bodies. Bodies everywhere. These were friends, co-workers, maybe lovers. Now they are silent, covered in blood,...
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ASH: Check Out The New Theatrical Poster For Flying Lotus’ Cosmic Horror
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Check out the theatrical poster for Flying Lotus' upcoming cosmic horror, Ash. The flick had its world premiere at SXSW yesterday. RLJE Films and Shudder are handling the theatrical and streaming releases, starting in cinemas on March 21st!   On...
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SXSW 2025 Interview: SLANTED, Amy Wang Talks Looking Within, Absorbing Each Other
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Amy Wang, a Chinese-Australian debut director, discusses her bitingly satirical exploration of racial identity in the US. [Read the whole post on screenanarchy.com...]
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The Actor Review: André Holland is Terrific in Duke Johnson’s Surreal Solo Directorial Debut
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For as much light as The Actor is bathed in, it’s equally shrouded in darkness. Duke Johnson’s solo directorial debut is a film of bleary sun and swallowing night and almost nothing in-between. It wouldn’t make sense to depict the...
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‘The Electric State’ Review: Zero Signal
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This is “content” at its most nakedly bankrupt. The post ‘The Electric State’ Review: Zero Signal appeared first on Slant Magazine.
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SXSW 2025 Interview: SHE’S THE HE, Siobhan McCarthy Talks Their Trans Indie For America’s Here and Now
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Nonbinary filmmaker Siobhan McCarthy turned around the trans answer to bromance comedies in a mere year. Here's why. [Read the whole post on screenanarchy.com...]
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