admin

Marcello Mio | Review
||
In the Name of the Father: Honore Pays Homage via Identity Crisis “I only exist when I am working on a film,” Marcello Mastroianni once said, who is, of course, resurrected through the prism of his daughter Chiara Mastorianni in...
continue reading
‘The Wedding Banquet’ Review: Andrew Ahn’s Sweet Remake of Ang Lee’s Gay Classic
||
This Wedding Banquet has more on the table than broad gags. The post ‘The Wedding Banquet’ Review: Andrew Ahn’s Sweet Remake of Ang Lee’s Gay Classic appeared first on Slant Magazine.
continue reading
THE VIRGIN OF THE QUARRY LAKE
||
(The 2025 Sundance Film Festival runs January 23- February 2 in and around gorgeous Park City, UT. HtN has you covered for all the hottest titles like Chris Reed’s The Virgin of the Quarry Lake movie review. Seen it? Join the conversation with...
continue reading
‘OBEX’ Review: Albert Birney’s Poignant Celebration of Nostalgia as a Wake-Up Call
||
The film evinces an intensely tangible understanding of the draw of analog culture. The post ‘OBEX’ Review: Albert Birney’s Poignant Celebration of Nostalgia as a Wake-Up Call appeared first on Slant Magazine.
continue reading
Sundance Review: Train Dreams Captures a Small Life on a Big Scale
||
There is a moment in Train Dreams, directed by Clint Bentley, where a tree gracefully falls to the earth, surrounded by lush green. Particles explode from the impact, the sunlight illuminating these small, insignificant specs. As the frame holds for...
continue reading
ASH Trailer: The New Sci-Fi Horror From Director Flying Lotus
||
A woman wakes up on a distant planet and finds the crew of her space station viciously killed. Her investigation into what happened sets in motion a terrifying chain of events. [Read the whole post on screenanarchy.com...]
continue reading
Sundance Review: Ira Sachs’ Peter Hujar’s Day Blends Documentary with Performance to Consider the Artist’s Life
||
When I look at Peter Hujar’s portrait of poet Allen Ginsburg, taken on December 18, 1974, it’s strikingly nonchalant. Ginsberg is standing on the sidewalk, one hand in pocket and the other looped through the straps of a bag draped...
continue reading
Sundance 2025 Review: LURKER, Parasocial Obsession, Pop Stardom and Celebrity Worship, Together Again
||
In writer-director Alex Russell’s (Beef, The Bear, Dave) remarkably impressive feature-length debut, Lurker, a rando, a fan-turned-stan, and an obsessive narcissist with sociopathic tendencies, Matthew Morning (Théodore Pellerin), finds himself perfectly situated to leverage a supposedly chance meeting with an...
continue reading
Sundance 2025: The Librarians, Middletown, Speak.
||
On three timely docs from Sundance this year.
continue reading
Sundance: Dead Lover, Touch Me
||
Two unusual horror films from Sundance 2025 are profiled here.
continue reading