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Sundance Review: All That’s Left of You is an Impactful Exploration of Decades of Palestinian Trauma
by admin|2 years ago|The Film Stage
A sprawling, gripping drama that starts with the foundation of the state of Israel and the displacement of Palestinian families in Jaffa, then ends two years shy of the Hamas-led attacks of October 7, Cherien Dabis’ All That’s Left of...
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‘Rebuilding’ Review: Josh O’Connor Is Magnetic in Sensitive Portrait of Resilience
by admin|2 years ago|Slant Magazine
Rebuilding captivates as it finds contentment sitting in the silence and stillness of a scene. The post ‘Rebuilding’ Review: Josh O’Connor Is Magnetic in Sensitive Portrait of Resilience appeared first on Slant Magazine.
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Compensation Trailer: Zeinabu irene Davis’ Newly Restored Independent Cinema Landmark Arrives This February
by admin|2 years ago|The Film Stage
Recently set to be preserved at the National Film Registry of the Library of Congress as a film that represents important cultural, artistic and historic achievements in filmmaking, Zeinabu irene Davis’ Compensation premiered back at 1999 at the Atantla Film...
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Jonathan Majors Goes Psychotic in First Trailer for Magazine Dreams
by admin|2 years ago|The Film Stage
Premiering two years ago at the Sundance Film Festival, Elijah Bynum’s Magazine Dreams was to be the start of a major year for Jonathan Majors, delivering a ferocious performance in the Taxi Driver-esque drama set in the world of bodybuilding....
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Sundance 2025 Review: DEAD LOVER, Strange, Weird, Wonderful
by admin|2 years ago|Screen Anarchy
Both singular in vision and singular in execution, filmmaker Grace Glowicki’s fantastic horror-comedy, Dead Lover, must be seen to be disbelieved.   Hyper-stylized, archly written in a hilarious camp tone (when it’s not being achingly sincere), and floridly performed, Dead...
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Introducing Dogma LA 25
by admin|2 years ago|Screen Anarchy
On behalf of Screen Anarchy, I am happy to share the following announcement, with official verbiage provided by Dogma LA 25. For decades, filmmakers have been hindered by a lack of financing and the high cost of technical resources. However,...
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Sundance 2025: East of Wall, Obex, BLKNWS: Terms and Conditions
by admin|2 years ago|Roger Ebert
On three standouts from the Sundance NEXT program.
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“Your Friendly Neighborhood Spider-Man” Brings Marvel’s Web-Slinger Down to Street Level
by admin|2 years ago|Roger Ebert
It's truly the best animated iteration of Peter Parker since “The Spectacular Spider-Man.” 
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Now Streaming: IN THE LAND OF THE BLIND, Desperately Searching for Identity
by admin|2 years ago|Screen Anarchy
Yong A. Yoon directs the indie drama, starring Tom Chi. [Read the whole post on screenanarchy.com...]
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Sundance 2025 Review: OPUS, Even Demented Malkovich Can’t Save Cult Horror Entry
by admin|2 years ago|Screen Anarchy
Q: “What’s the difference between a religion and cult?”  A: “Time.”   There’s cult horror — as in horror that develops an offscreen cult following — and cult horror – as in a horror film about a cult. First-time writer-director...
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